September 2016 Fan Fiction Screenplay Winner

Watch the September 2016 Fan Fiction Screenplay Winner. 

Submit your Fan Fiction Screenplay to the Festival: https://fanfictionfestival.com/

Fan Fiction: VIGILANTE: The Origins of Casey Jones (TMNT) by Justin Prince

SYNOPSIS:

Genre: Action, Crime, Thriller

After an injury put a halt to his plans of playing hockey in the NHL, Casey Jones doesn’t believe life can get much worse. He soon finds out just how wrong he is. Faced with a tragedy Jones takes justice into his own hands, becoming a hockey mask wearing vigilante. (Based on the character from Eastman and Laird’s Teenage Mutant Ninja Turtles).

CAST LIST:

NARRATOR – Steve Rizzo
CASEY – Randy Baumer
BOSS – Dan Cristofori
HUN – Steve Mitchell
CRISTO – John Fray
VAN – Kaleb Alexander
APRIL – Norma Dawn Dunphy

Get to know the writer:

What is your screenplay about?

My screenplay works as a retelling of the origin story of Casey Jones, the hockey masked vigilante of Teenage Mutant Ninja Turtle’s fame. The story reveals who Casey is as a person and what events push him to take on his crime-fighting persona.

What genres does your screenplay fall under?

I would describe it as a graphic action/superhero film.

Why should this screenplay be made into a movie?

Casey Jones is one of the most popular characters from the TMNT universe outside of the four turtles themselves. This script really just gives you an idea of who Casey Jones is, the hardships that shaped him and how he develops into the vigilante that goes on to become one of the turtle’s most trusted allies.

How would you describe this script in two words?

Gritty & fun.

What movie have you seen the most times in your life?

I’m not sure; there are a lot of movies I revisit, including the original 1990s live action TMNT film. But, the film I’ve probably watched the most in my life is probably “Raging Bull.”

How long have you been working on this screenplay?

I have been a TMNT fan my entire life but as I got older I began to identify more with Casey Jones than I did the turtles themselves. So I’ve been conceptualizing the script for a long time I’d say. But, it wasn’t until after the most recent TMNT film was released that I began to really sit down and outline the story. The TMNT of the comics are actually really dark and gritty with Casey Jones being one of its darkest and most gritty characters. I really wanted my script to reflect the comic universe more so than any of the film incarnations of the TMNT have.

How many stories have you written?

Oh, I could never put a number on it. I’ve been writing stories since I was a little kid. I’ve always enjoyed storytelling and have told stories in almost every format you can tell one in. As far as scripts go this is my fifth short script. I’m also currently working on the screenplay a feature length film.

What motivated you to write this screenplay?

I just really wanted to tell a story within the TMNT universe but tell it in a way that reflected the comics more so than the cartoons. The original TMNT comics are really quite a contrast from the other forms of TMNT media; they also started as a parody of the superhero genre. I wanted to bring the grittiness of the comics to life in a script and I also wanted to have that element of parody. So here that element comes with Casey’s obsession with action films and his penchant for quoting them in battle.

What obstacles did you face to finish this screenplay?

The biggest obstacle was writing the action sequences. I haven’t ever really written any significant action sequences for a screenplay before and this one has several of them. So figuring out how to write them in a way that conveyed what I envisioned along with the pacing I had in mind was really something I had to experiment with to figure out.

Apart from writing, what else are you passionate about?

I’m really passionate about all aspects of film. Lately, I’ve really began to delve into editing and learning the way that editors tell a story or alter how a story is told.

Any advice or tips you’d like to pass on to other writers?

My biggest tip is embracing the rewriting process. So many people like to write, but they don’t like to rewrite. You have to learn to love rewriting, especially if you’re going to choose to write screenplays.

***
Director/Producer: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: John Johnson

May 2016 Fan Fiction Screenplay Winners

Watch the May 2016 Fan Fiction Screenplay Winners. 

STAR WARS Episode 1: The Redemption of Skywalker Feature Screenplay
Written by Bryan O’Flaherty
Read 10 Questions with the writer

SYNOPSIS:

Genre: Sci-Fi, Adventure, Action, Fantasy

Synopsis: Some stories are too important, some stories must be retold. The story of Anakin Skywalker will be molded between the pressure of separate forces vying for his soul, which will determine the fate of the galaxy.

CAST LIST:

NARRATOR – Sean Ballantyne
ANAKIN – Chris Ormrod
SHALI/MARA – Isabella Bontorin
OWEN/VARIOUS – Neil Kulin
ADMIRAL LEOPOLD/VARIOUS – Mark Sparks
OBI-WAN – Dan Cristofori

*****

POWER TV Pilot  (Green Lantern Pilot)
Written by Hisonni Johnson
Read 10 Questions with the writer

SYNOPSIS:

Genre: Comic book, Drama, Sci Fi, Action, Superhero

Synopsis: A tragic turns of events leaves one of the world’s greatest heroes injured, without his powers and public enemy number one.

CAST LIST:

NARRATOR – Sean Ballantyne
JOHN – Mark Sparks
SANDRA – Lavinia Latham
SHIERA – Isabella Bontorin
DENNIS – Neil Kulin
LAWTON – Dan Cristofori

***

Director/Producer: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: John Johnson

STAR WARS Episode I: THE REDEMPTION OF SKYWALKER by Brian O’Flaherty

Watch the May 2016 Fan Fiction Screenplay Winner.

STAR WARS Episode I: THE REDEMPTION OF SKYWALKER

Genre: Sci-Fi, Adventure, Action, Fantasy

Synopsis: Some stories are too important, some stories must be retold. The story of Anakin Skywalker will be molded between the pressure of separate forces vying for his soul, which will determine the fate of the galaxy.

CAST LIST:

NARRATOR – Sean Ballantyne
ANAKIN – Chris Ormrod
SHALI/MARA – Isabella Bontorin
OWEN/VARIOUS – Neil Kulin
ADMIRAL LEOPOLD/VARIOUS – Mark Sparks
OBI-WAN – Dan Cristofori

Get to know writer Brian O’Flaherty:

What is your screenplay about?

The screenplay is about the events that took place prior to Star Wars, A New Hope. It is the first part of a trilogy, that tells the story of these events.

How is this origin story different than the original episode 1? What makes it better/different?

There is no argument that can be made, to convince someone on the merit of the original prequel movies, and “better” is a subjective idea anyway. However, many Star Wars fans were disappointed with the original prequel movies, and I believe there are a multitude of reasons for this, but I will only touch on what I believe to be the main reason for this disappointment.

The main reason for this disappointment, relates to the question of “what” Star Wars is, and/or what it has become.

The original Star Wars was one of the most popular movies to ever come out. It redefined so much, relating with not only how to technically create a sci-fi movie, but in how to create the elements of the story, the characters, the pacing, the comedy, etc.

It was a perfect storm of creative vision (Lucas), comedic writing, pacing, editing, and of course musical masterpieces.

It was created as a team effort, like a well tuned sports car, and I believe, if any element was out of place, it would have turned into the flop that they initially feared it to be.

The original intention was to create a “space adventure film,” and although technically, one could define Star Wars in this context, it became something much greater than this simple idea.

The reason it became something much greater than a “space adventure film” is because of the idea of “the force.” The force turned Star Wars from just another “fun sci-fi movie” into something special. It quite literally, gave it “soul.” Star Wars became a narrative about the human condition, asking the ultimate philosophical questions about what it means to be human, and how our choices and thoughts effect us, not just in the physical world, but also in the “spiritual.”

No matter what one’s personal beliefs, this philosophical narrative is compelling, and it’s at the heart of Star Wars.

Without getting into detail, my screenplay attempts to bring back the “soul” of Star Wars, because I believe this is what made people fall in love with it, on a deep, emotional level.

How would you describe this script in two words?

Skywalker redemption.

One of the main plot point differences with this Star Wars script and the 7 produced films is that the story is not continuous. We jump from timeframes in Anakin’s development years. Some will argue that this isn’t Star Wars and the films need to a seamless adventure set in the same time. Why did you diverge from the original structure? And what makes this version still in the Star Wars universe vain?

Good question. First of all, you can’t (or shouldn’t) make a new Star Wars film by copying the last films. The original Star Wars cannot be recreated. It is not possible. Any attempt to do so, will not create something original, it will simply “ride the wave” of what people think “Star Wars” is, but any attempt at doing this is intrinsically flawed and will fall flat.

For example, although I liked the new movie, because it had many original elements, and was well crafted, fundamentally, it was a copy of the story from A New Hope. For example, the destruction of the “Death Star” fell flat and emotionless, because it was simply a copy from something we had already seen before, and the audience was not emotionally involved with it, for it was a fairly obvious retread.

Also, The Empire Strikes Back, was a very different movie from A New Hope. It added very strong elements of romance, elements of philosophy, and elements of “family.” This is one of the reasons people believe it to be the “best” Star Wars movie, because it laid the foundation for the “soul” of Star Wars, which I discussed previously.

People could have argued that The Empire Strikes Back was not “Star Wars,” for these reasons. However, it maintained similar comedic undertones, philosophical ideas, musical and pacing elements as the first movie.

To further that point, The Return of The Jedi, was again, a very different movie from the previous two. It was more dialogue heavy, had a slower pacing, and actually had a story structure that was broken up between the two unrelated story locations of Jabba’s palace and the Endor moon. Jabba’s palace did not lead to the Endor moon. People could argue that Return of The Jedi wasn’t “Star Wars.”

On the final point, about continuity. I feel that Stars Wars has so many crucial elements that are vastly more important than timeframe continuity in a single film. Although I would have preferred to have a relatively continuous timeframe, I feel it was more important to create a structure that follows the entirety of the character study of Anakin Skywalker.

I feel the character study of Anakin Skywalker is too complex, to devote an entire film to his time as a child. There is simply too much ground to cover.

On the flip side, Anakin’s story as a child is too important to leave out entirely. The size and scope of the trilogy requires a timeframe jump. This is likely to be the only timeframe jump in the trilogy.

To say it is not “Star Wars” because it contains a timeframe jump, seems silly to me, because the elements of Star Wars are there, and missing a single stylistic element, doesn’t seem to contradict anything about the originals.

In addition to this, The Empire Strikes Back has a slight timeframe jump as well. A jump that is not clearly explained, but is there. The time Luke spends training with Yoda is not explained, relating to how much time has passed. It is clear that a significant amount of time had passed (I believe the writer said “months”) and I doubt people would consider this lack of pure timeframe continuity to “not be Star Wars.”

How long have you been working on this screenplay?

For the version read at your festival, I spent about fourteen months. Although there was plenty of note taking before I even started writing.

How many stories have you written?

This is my first complete screenplay, although there are several versions. You have read the “abridged” version.

What motivated you to write this screenplay?

It has been a fire burning in my belly for years. I never intended to send it to a festival however. I found out about several “fan fiction” festivals after I had nearly finished writing it.

Ultimately, the reason I wrote it, was to somehow, someway, make it into a movie, because that is what screenplays are for, and that it how I wrote it. I didn’t write it to be an entertaining read. I wrote it to be an entertaining movie.

What obstacles did you face to finish this screenplay?

The biggest obstacle is feedback. You must get some feedback. I have a friend who was willing to read it, and provide feedback. I took some of his advice, but stuck to my heart where I disagreed with him.

The ability to receive feedback, and use it to your advantage, is a critical part of writing, I believe, because when you’re writing, you don’t know if what you are doing is making any sense or not. It’s easy to get into your own head and think something is working when it is not, or think something is not working, when it is.

Apart from writing, what else are you passionate about?

Star Wars and Shakira.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The feedback was priceless. Again, feedback is crucial. You must hear what someone thinks about the script. The next thing that is crucial, is to stick with what you believe in, and make changes where you feel the criticism has found something worthwhile.

Any advice or tips you’d like to pass on to other writers?

Thinking is the most important part. Have a notepad, where you can write down ideas when they come into your head. You will NOT remember them later. You must write down the thoughts that come into your head. I use my smart phone for this. I write notes down all the time, some of it is never used, but most of it is what makes the foundation for the screenplay.

Second, you need as much feedback as you can get. They don’t have to be professional readers, but they MUST find some sort of criticism with your work.

Worthless feedback is when you are told something is “good” or “bad.” Anything else is valuable and necessary.

Equally important to receiving feedback, is your ability to use it for YOUR BENEFIT. Use it like a tool. Don’t use it to satisfy somebody else’s idea of how things should be, unless you absolutely have to as a requirement.

***

Director/Producer: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: John Johnson

 

Watch the January 2016 Fan Fiction Screenplay Winner

US NAVY CINE-KODAK
Written by Stephen M. Hunt

SYNOPSIS:

Genres: War, Thriller, Drama

France, 1941; an American undercover war correspondent is overwhelmed by an old woman’s unique and unbelievable response to local, Nazi atrocities.

CAST LIST:

NARRATOR – Holly Sarchfield
DUBIN – Dan Cristofori
TESSIER/BREUGEL – Geoff Mays
WOMAN – Katelyn Vanier

Get to know writer Stephen M. Hunt:

1. What is your screenplay about?

To deter the Resistance the Nazis in Paris inflict inhuman cruelty on civilians while unaware of how an old woman will expose their atrocities to the world.

2. Why should this screenplay be made into a movie?

US Navy Cine-Kodak is being extended into a feature screenplay so a movie of the short screenplay would be paramount in generating interest in the longer version.

3. This story has a lot going for it. How would you describe this script in two words?

Riveting, surprising.

4. What movie have you seen the most in your life?

The Charles Laughton version of “The Hunchback of Notre Dame”.

5.  This is  a very tight, emotionally engaging and fun screenplay. How long have you been working on this screenplay?

I had a 1st draft within a week but it took two further months of constant revising before I had the present script.

6. How many stories have you written?

17.

7. What motivated you to write this screenplay?

The idea was born out of a conversation I had with a producer / director looking for an original twist on a well-known produced feature film.

8. What obstacles did you face to finish this screenplay?

The project’s underlying premise made it easy to write – refining the 1st draft into it’s present format was most certainly the hard part.

9. Apart from writing, what else are you passionate about?

My family and relocating from England to France which has been a life-long ambition.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The Fan Fiction Festival was ideal for US Navy Cine-Kodak as the premise for the script occurs in a famous Meryl Streep film. The feedback helped enrich the script.

11. Any advice or tips you’d like to pass on to other writers?

Successes in film festivals and screenplay competitions are vital for a newbee screenwriter but all that is for nothing if a screenplay writer doesn’t also work hard at promoting themselves / their work.

Watch the FAMILY GUY Winning TV SPEC Performance Reading. Submit your SPEC by Aug. 15th

Deadline August 15th: SUBMIT TV PILOT/SPEC Script – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/tvscreenplaycontest.html

Watch the FAMILY GUY Winning TV SPEC Performance Reading by Dave Chan

SYNOPSIS:

Peter Griffin must find a way to get back his foreclosed house when Lois threatens to leave him for good. Meg falls in love with a new student at school who doubles as a heroin drug lord, and Stewie corners the market on Cheerios by pushing the popular breakfast cereal to addicted toddlers.

CAST LIST:

NARRATOR – Lorry Ayers
PETER – Adam Martignetti
LOIS – Marsha Mason
STEWIE – Dan Cristofori
BRIAN – Allan Brunet
CHRIS/PHUC – Geoff Mays
MEG – Victoria Kucher

Watch WINNING TV PILOT Screenplay Readings
http://www.wildsoundfestival.com/tv_pilot_readings.html

Watch WINNING TV SPEC Screenplay Readings
http://www.wildsoundfestival.com/tv_spec_readings.html

READ 100s of testimonials for past submitters –
http://tvfestival.org/2015/06/18/tv-screenplay-testimonials/

Watch IT’S ALWAYS SUNNY IN PHILADELPHIA TV Spec Screenplay

Watch the Winning TV SPEC Screenplay Reading by Keith Black

IT’S ALWAYS SUNNY IN PHILADELPHIA SHOW Spec Script:

CAST LIST:

NARRATOR – Lorry Ayers
DENNIS – Geoff Mays
MAC – Dan Cristofori
FRANK – Allan Brunet
CHARLIE – Adam Martignetti
DEE – Marsha Mason
SPANISH WOMAN – Victoria Kucher

Get to know writer Keith Black:
http://tvfestival.org/2015/06/19/reading-of-its-always-sunny-in-philadelphia-show/

* * * * *

Deadline August 15th: SUBMIT TV PILOT/SPEC Script – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/tvscreenplaycontest.html

Watch WINNING TV PILOT Screenplay Readings
http://www.wildsoundfestival.com/tv_pilot_readings.html

Watch WINNING TV SPEC Screenplay Readings
http://www.wildsoundfestival.com/tv_spec_readings.html

READ 100s of testimonials for past submitters –
http://www.wildsound.ca/wildsound_festival_review.html

Watch TV SPEC Screenplay Reading of COUGAR TOWN Sitcom by Felicity Flesher

Deadline: FAN FICTION FESTIVAL
Submit a classic TV show, movie series, or iconic franchise screenplay.
https://fanfictionfestival.com/

Watch COUGART TOWN “Jammin Me” TV Spec Reading:

Get to know writer Felicity Flesher:
http://wildsoundfestivalreview.com/2015/04/19/watch-cougar-town-tv-spec-screenplay-winner-plus-interview/

SYNOPSIS:

“Jammin’ Me” is a Cougar Town spec script. In this episode, Jules and the Cul de Sac Crew’s world implodes when there is a wine drought.

CAST LIST:

NARRATOR – Susan Wilson
Jules – Pip Dwyer
Ellie – Krista Morin
Grayson – Dan Cristofori
Andy – Allan Michael Brunet
Bobby – Dan Fox
Travis – Ryan Anning
Laurie – Christina Aceto