FAN FICTION Screenplay – UNIVERSAL SAINT BATMAN by Nathan Trumbull

Watch the January 2017 FAN FICTION Screenplay Winner.

Best Scene from the screenplay UNIVERSAL SAINT BATMAN Screenplay
Written by Nathan Trumbull

CAST LIST:

NARRATOR – Catherine D’Angelo
SUMMER – Val Cole
BIRDIE – Shannon McNally
KYLE – Gabriel Darku
BRUCE WAYNE – David Straus
VIC STONE – Charles Gordon
JOKER – Nick Wicht

SYNOPSIS:

Genre: Adventure, Action, Sci-Fi, Mystery

Decades after the disbanding of the Justice League, Gotham citizen, Birdie Vale’s public and private fight with a cutting-edge robotic policing initiative leads her on a collision course with not only her clouded past, but the Dark Knight himself.


What is your screenplay about?

Universal Saint Batman is about a future where Gotham has begun questioning Batman’s relevance after the dawn of hyper intelligent AI systems and androids. Birdie Vale, a new character to the Batman Universe, seeks to find out from the Bat himself what he thinks about the new robots as well as explore her own personal relationship to him.

What genres does your screenplay under?

In typical Batman fashion, I’d consider this a neo-noir sci-fi mystery.

How would you describe this script in two words?

Fun and fresh

Why should this screenplay be made into a movie?

I think this would make a great film because it doesn’t follow Batman or Bruce Wayne, but rather a whole new character for people to rediscover the Batman universe with. It offers a fresh story with a cast of characters you may be familiar with, but shown in an entirely new light.

What movie have you seen the most times in your life?

I’d bet Jaws

How long have you been working on this screenplay?

I’d had the idea for the script for quite awhile before sitting down to write a draft, of which I wrote three in about two months time before it came to how it exists now.

What motivated you to write this screenplay?

I’d always wanted to give fan fiction a try and contests like this one seemed as good a reason as any.

What obstacles did you face to finish this screenplay?

Finding people to generate good feedback on fan fiction is difficult when no one in your creative circle has done it before so I’d say that was the hardest challenge… That or deciding to gender swap the main character after the first draft.

Apart from writing, what else are you passionate about?

I enjoy bouldering, movies, and video games when I have the time.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The festival was great motivation to get the script done and the feedback was indispensable in regards to bettering myself as a writer.

Any advice or tips you’d like to pass on to other writers?

Don’t dwell on the advice of other writers. Do what lets you write and write as much as you can.

****
Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
Screenplay CONTESTFIRST SCENE (first 10pgs) Screenplay CONTEST
Submit the first stages

 

Fan Fiction Festival Announces its 2016 Screenplay Winners

Fan Fiction Screenplay has announced its 2016 winning screenplays.

All winning screenplays were performed by professional actors and brought to life.

Watch all the winning works at http://www.fanfictionfestival.com

12 Winners for 2016:

1. HOW I MET YOUR MOTHER TV Spec
by Eugene Ramos

2. THERESE (Sequel to 2016 Film CAROL) Feature Script
by Heidi Scott

3. GILLIGAN’S ISLAND OF THE DEATH TV Show
by Jerry Kokich

4. VIGILANTE: THE ORIGINS OF CASEY JONES TV Pilot
(From Teenage Mutant Ninja Turtles)
by Justin Prince

5. THE MASK OF LEIA Short Script
(From Star Wars universe)
by Ian Wilson

6. STAR TREK DEEP SPACE NINE TV Spec
by Jennifer Renner

7. SPACE 2099 TV Pilot
(From TV show Space 1999)
by Kevin D. Story

8. STAR WARS Episode 1 Feature Script
(From Star Wars universe)
by Bryan O’Flaherty

9. THE TWILIGHT ZONE TV Spec
by Jaime Medina

10. MAGNUM P.I. TV Spec
by Lew Ritter

11. THE TIME CUCKOO Short Script
(From Doctor Who universe)
by David Gilbank & Paul Renhard

12. US NAVY CINE KODAK Short Script
(From WWII era stories)
by Stephen M. Hunt

Fan Fiction Best Scene -Therese by Heidi Scott (Sequel to the 2015 movie Carol)

Watch the December 2016 FAN FICTION Screenplay Winner.

Best Scene from the screenplay THERESE (Sequel to 2015 Film CAROL) Screenplay
Written by Heidi Scott

CAST LIST:

NARRATOR – Gabriel Darku
CAROL – Kiran Friesen
Kelly Daly

SYNOPSIS:

Genre: Drama, Romance

The story takes place 5 years later in 1958, when their relationship has had time to ripen and gain complexity within the homophobic era. They have to be closeted, so their public and professional lives are discontinuous with who they are with each other. This causes high stakes, tension, and great potential for drama and character development.

What is your screenplay about?

THERESE is a sequel to the film and book Carol, which came out in 2015. The film ends with such raw possibility, and yet so many challenges for Carol and Therese, that the idea of extending it wouldn’t leave me alone.

I take up their story 5 years later in 1958, when their relationship has had time to ripen and gain complexity within the homophobic era. They have to be closeted, so their public and professional lives are discontinuous with who they are with each other. This causes high stakes, tension, and great potential for drama and character development.

I also wanted to explore a power reversal between the characters. In Carol, the Carol character is more dominant, powerful, elusive. But the end of the film hints at Therese gaining agency, and Carol’s love in effect making her suppliant to the younger woman. So THERESE is the arc of Therese as the more powerful, elusive figure, and Carol studying her. It echoes the subjectivity of Highsmith’s book, but in reverse.

What genres does your screenplay under?

Drama, romance, period piece.

Why should this screenplay be made into a movie?

Just watch Carol, witness the mobs of critical and public adorers of the film, and ask yourself if the final scene in the Oak Room is enough for us. We need more. The allure of the ’50s aesthetic, which I update to mid-century modern through Carol’s work in furniture and Therese’s love of jazz music, creates a visual and aural world perfect for film. The chemistry between the leads is dripping electric. Of course, we’re talking about two of the world’s most in-demand actresses (Mara and Blanchett), a supporting actress who just won an Emmy (Paulson), and a celebrated director (Haynes), so it’s all high-profile, high-stakes, and potentially high-reward. But the world, including and beyond the LGBT community, wants to see this story evolve.

How would you describe this script in two words?

Love Trumps.

What movie have you seen the most times in your life?

I’m not embarrassed: The move Clue (1985), starring Tim Curry, Eileen Brennan, Madeline Kahn, etc. So excellently funny and ridiculous no matter how many times. I saw it 3 times in the theater when it came out (I was 6), and since then … maybe another 144 times.
Second most: Carol. Twice in theater, since then, maybe 5 more times, with different combos of family and friends. Both 1950s movies!

How long have you been working on this screenplay?

I drafted it this summer (May), revised (July), again in fall (October).

How many stories have you written?

Four screenplays: THERESE, a Jane Austen adaptation called DARCY’S DAYS, a Darwin biopic called THE VOYAGE OF THE BEAGLE, and an original sci-fi script called LANDFILL. I’m trained as an academic (lit prof), so I’ve also published a book and a lot of articles, like academics do, and assorted poems.

What motivated you to write this screenplay?

Sheer excitement and love for the characters and source material. I also wanted to recover some of the character dynamics, high tension, and subjectivity in Patricia Highsmith’s book that weren’t much represented in the film Carol. I had to make sure that I was doing everything I could do as an individual human to make this story continue. So, mission accomplished. Does the world care? Yet to be determined. It’s really hard to get any attention from producers as an outsider in an exclusive and competitive business.

What obstacles did you face to finish this screenplay?

Staying true to their love for each other without wallowing in lovey-dovey. I want it to be edgy and exciting. But I didn’t want either woman to degrade into bitchiness. That’s a hard balance to strike. Fortunately, their world presents challenges that make their character arcs believable, and their joys and griefs complementary.

Oh, and having a new baby. I mostly wrote during her naps and late at night.

Apart from writing, what else are you passionate about?

My kids (ages 3 and 0) and wife, teaching literature, nature, travel, film. The human experience. Musing about environmental futures. I live in DC, so we’re at the epicenter of this ornery cultural climate.

Any advice or tips you’d like to pass on to other writers?

Zora Neale Hurston said something like: “there is no agony like holding an untold story inside you.” I agree. Let it out, let it breathe. Revise. Up the ante. It’ll make you a more complete person, more empathetic. We need all the empathy we can get in this strange world of 2016.


TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
Screenplay CONTESTFIRST SCENE (first 10pgs) Screenplay CONTEST
Submit the first stages of your film and get full feedback!

 

November 2016 Fan Fiction Screenplay Winner

Fan Fiction Pilot of GILLIGAN’S ISLAND OF THE DEAD by Jerry Kokich

Watch the Winning Fan Fiction Screenplay for November 2016.

CAST LIST:
NARRATOR – Mallory Palmer
SKIPPER – Peter Nelson
GILLIGAN – Hugh Ritchie
GINGER – Kheon Clarke
MR. HOWELL – Julian Ford
MARY ANN – Angelica Alejandro
LOVEY – Kelci Stephenson

SYNOPSIS:

Genre: Comedy, Fantasy, Horror

A reinvention of the popular series with the same castaways (reinvented) who end up having to fight off Zombies during the night on the far away island.

Get to know the winning writer:

What is your fan fiction screenplay about?

“Gilligan’s Island of The Dead” is a reboot of the classic TV comedy, with everything turned on its head… and zombies!

Why does this modern day twist of the iconic TV show work?

With updated characters, including Gilligan and The Skipper as a gay couple, and the Howells as the Madoffs hiding from the Feds, the series also capitalizes on the current zombie craze.

How would you describe this TV show in 2 words?

Zombie Survival

What TV show have you seen the most times in your life?

The Avengers from the 1960’s!

How long have you been working on this screenplay?

It took about three months to write.

How many stories have you written?

Well over fifty.

What motivated you to write this screenplay?

Funny story, that. NBC had decided to do a reboot of the TV comedy, The Munsters. They spent millions on the pilot, including building the full size Munsters house. Halfway through the filming of the pilot, they realized it was going to be such a total disaster, they pulled the plug on the series before they had even finished shooting. I was joking with some friends about it on Facebook, and said. “We should do a reboot of Gilligan’s Island with zombies!” I stopped dead. I thought, hey, that’s not a bad idea. I actually detest when old shows are redone and changed, and I’m not a zombie fan, but I decided to put everything I don’t like into this. Of course, it wins a contest!

What obstacles did you face to finish this screenplay?

. I really didn’t face any obstacles writing it. I knew the old series very well. I read some books on the making of the series, including one by series creator, Sherwood Schwartz, and watched a documentary produced by Dawn Wells, who played Mary Ann. I did try to market the script, but the Schwartz estate and CBS have the rights, so that was a dead end.

Apart from writing, what else are you passionate about?

I was a professional ballet dancer with The Joffrey Ballet for eight years, and I now teach in LA. I’m very passionate about my students and their development as dancers.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I submitted a first scene to you guys that won, and the feedback was wonderful, so I decided to enter this full script. I recommend your contests to all my writer friends. The feedback on this project was fantastic. Of course, I loved the praise. The suggestions and criticisms were extremely precise and helpful. What I really appreciated was that you got what I was trying to do. I wanted to take the original series in a completely different direction, but one that made sense in relation to the original characters.

Any advice for other writers?

A much smarter man than I said, 95% of writing is re-writing, so start writing. Don’t sit around thinking about writing, just write. Then write some more. Then enter a Wildsound contest! Also, never assume a woman is pregnant.

****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson


TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
SCREENPLAY CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
SCREENPLAY CONTESTFIRST SCENE (first 10pgs) SCREENPLAY CONTEST
Submit the first stages of your film and get full feedback!

Fan Fiction Screenplay – The Mask of Leia by Ian Wilson

Watch the August 2016 Fan Fiction Screenplay Winner.

THE MASK OF LEIA
by Ian Wilson

SYNOPSIS:

Genre: Action, Adventure, Sci-Fi

Following the Battle of Endor and the defeat of the Empire, Leia secretly struggles with her own ongoing internal battle with the Force.

CAST LIST:

NARRATOR – Becky Shrimpton
LEIA – Laura Darby
EMPEROR – Stephen Flett
HAN SOLO – David Straus
ACKBAR – Rais Muoi

Get to know the winner writer: 

1. What is your fan fiction screenplay about?

The Mask of Leia is a thought-provoking drama that explores the hidden psyche of Princess Leia. It aims to prompt the viewer into thinking about the trauma that Leia has undergone through the Star Wars story and what her internal struggles from dealing with all that suffering might be.

By all rights, Leia should be a total basket-case or at least have severe PTSD but she has managed to mask these personal struggles from everyone around her, including Han Solo. The script also explores the potential of her being Force-sensitive and keeping this hidden, perhaps for political reasons.

How does this screenplay fix into the context of the Star Wars universe?

The story takes place just after the Battle of Endor (Star Wars: Episode VI -The Return of the Jedi) and the defeat of the Empire.

Leia and Admiral Ackbar lead the Rebel forces to the planet Coruscant to secure the New Republic. It is during this journey that we see Leia secretly struggle with her trauma and her ongoing internal battle with the Force.

How would you describe this script in two words?

Hidden backstory.

What TV show do you keep watching over and over again?

I’m a Dr. Who fan. I have been since I was about five years old. I
love watching the current Doctor, Peter Capaldi, because I went to school with him and we were in the same theatre company together as teens in Glasgow, Scotland. He used to play Dr. Who in the school playground and he was a natural at it then. I was not surprised that he got the role as Doctor Who.

5. How long have you been working on this screenplay?

The story was sketched out over a couple of days between film
director, David Connellan, and myself. It then took me about three weeks to achieve the final draft.

6. How many stories have you written?

In terms of screenplays, I have written five stories – two features and three shorts. I am currently, writing my third feature, which is a thriller/horror.

7. What motivated you to write this screenplay?

I have always been a Star Wars fan from the very first time I saw that iconic Star Wars roll-up. So, when my friend and director, David Connellan, asked me to write a screenplay for a Star Wars short I jumped at the chance. Writing the roll-up to this story was fun.

8. What obstacles did you face to finish this screenplay?

The goal was to come up with a five-minute screenplay – about five pages. Trying to capture the whole of Leia’s trauma into just five minutes was very difficult. My initial draft was close to twelve pages and the final draft was around eight pages. Cutting out some great scenes and dialogue was tortuous. Sadly, cutting it down further for a five-minute film meant a lot of sacrifices in the overall story, including the iconic roll-up.

Apart from writing, what else are you passionate about?

Travel. In my view, travel has been my greatest teacher. It has
allowed me to experience and understand people and cultures across so many countries. Travel has helped me realize that while we are all members of the same small planet and there are also more ways to live than just the one we have been born into.

Travel is experiential and visual and for me that helps me in my
screenwriting, which is very much about creating a visual experience.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The Fan Fiction Festival is a well renowned festival and platform for fan fiction and fan films. Entering the Festival was a “must-do” for me. In the Fan Fiction Festival, I love how engaged fans can be in developing their own derivatives of the original stories. It’s a form of organic creation that deserves more credit.

The feedback I received from the festival was very useful in tightening the story. I certainly appreciated this. The only advice I didn’t feel comfortable with was to develop more character for Han Solo. I felt that would have detracted from Leia’s story.

Any advice or tips you’d like to pass on to other writers?

I like to start with “what if” questions to get a story going. The concept of The Mask of Leia is a good example. What if Leia has PTSD and is being internally pulled by the dark and light side of the Force? Think about that question and you have all sorts of ideas for a story.

Write with passion and don’t be afraid to go with your gut when writing a story. If you let others get involved and question your story concept early in the process it will most likely upset your creativity and your story will turn out half-assed. Of course, listen to feedback once you’ve completed that first and subsequent drafts as feedback will help refine and improve the story.

Finally, I’d say that make sure that you develop engaging characters.

Such characters are distinct, likeable (or loathsome) and have a strong motivation. Ultimately, these characters do not ride along with the flow of the story, rather they create the direction of the story.

***
Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson

Fan Fiction Screenplay: Star Trek Deep Space Nine: Power Loss by Jennifer Renner

Watch the July 2016 Winning Fan Fiction Screenplay.

Star Trek Deep Space Nine: Power Loss by Jennifer Renner

SYNOPSIS:

Genre: Sci-Fi, Adventure, Action, Fantasy

Synopsis: Episode 32.5 of the TV series Star Trek: Deep Space Nine. The station welcomes visitors from a planet in the Gamma Quadrant that allows only women to hold positions of authority.

CAST LIST:

NARRATOR – Brandon Knox
BENNI – Susan Wilson
SORYA/KIRA – Meghan Allen
DAX/LELA – Courtney Keir
ODO – Julian Ford
BASHIR/QUARK – David Guthrie
SISKO/RISHTA – Sean Ballantyne

Get to know the winning writer Jennifer Renner

1. What is your TV Fan Fiction screenplay about?

Deep Space 9 welcomes visitors from a planet in the Gamma Quadrant that only allows women to hold positions of authority.

2. Why does this episode fit into the context of the show?

The episode uses a futuristic setting and the unique perspectives of the characters to discuss a social issue. One of my favorite things about the whole Star Trek phenomenon was the ability to look at potentially controversial issues under a new and intriguing light.

3. How would you describe this script in two words?

Existential exploration.

4. What TV show do you keep watching over and over again?

Star Trek: TNG

5. How long have you been working on this screenplay?

I worked on this screenplay for about three months.

6. How many stories have you written?

I’ve written many short screenplays and three feature length screenplays.

7. What motivated you to write this screenplay?

I love the different personalities in DS9. The topic of gender has been in the spotlight recently and using the voices of DS9 seemed a good way to explore this issue.

8. What obstacles did you face to finish this screenplay?

I don’t have much experience writing for TV, so that was fairly new to me. I also wanted to do justice to the Star Trek universe and it is a complex place to navigate. Use the term “warp coil” when you specifically mean “warp nacelle” and you’ve lost all credibility.

9. Apart from writing, what else are you passionate about?

All things film! From theory to shooting and editing, to just a lot of viewing, I enjoy it all.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I was excited about the prospect of receiving feedback to improve my writing. The feedback I received offered many helpful suggestions, both in terms of my writing in general and as a piece in the DS9 universe. I’m definitely glad I entered this festival.

11. Any advice or tips you’d like to pass on to other writers?

Although I don’t feel qualified to give advice, I would say to try writing as many different types of works as you can. From one-act plays to feature screenplays to poetry to just a really well-written email, there are so many ways to express yourself well through writing.

*****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne

June 2016 Fan Fiction Screenplay Winner

Watch the June 2016 Fan Fiction Screenplay Winner. 

Submit your Fan Fiction Screenplay to the Festival: https://fanfictionfestival.com/

SPACE 2099  by Kevin D  Story (Based on the television series Space  1999)

SYNOPSIS:

Genre: Sci-Fi, Adventure, Action, Fantasy

CAST LIST:

NARRATOR – Kelci Stephenson
JOHN – Geoff Mays
VICTOR/CARLOS – Julian Ford
HELENA/TANYA – Tee Schneider
ALAN/GERARD – Nathan Bragg
DAVID/TONY – Sean Ballantyne

Get to know the winning writer Kevin D. Story:

1. What is your TV Pilot screenplay based on the television show Space: 1999 about?

John Koenig, the commander of Moonbase Alpha, must prevent a terrorist group, led my an old adversary, from taking over a nuclear refinery.

2. How does this future remake fit into the context of the original TV show?

The screenplay is a re-imagining of the original pilot episode.

3. How would you describe this script in two words?

Action/drama

4. What TV show do you keep watching over and over again?

There’s more than one: Space 1999, Battlestar Galactica (the original and re-imagined), Star Trek (TOS, TNG, DS9, VOY, ENT), Babylon 5, Stargate (SG-1 and Atlantis) and Farscape.

5. How long have you been working on this screenplay?

It took about four months to finish the first draft, which was 137 pages. It took another two months to whittle it down to just under 100 pages. I’m still polishing it.

6. How many stories have you written?

I currently have two feature length scripts and a one-hour television pilot. I’ve also written two episodes of Space 2099 that would take place after the events of my pilot script. I’m currently working on a comedy feature.

7. What motivated you to write this screenplay?

I’ve been a fan of Space 1999 ever since I was six years old. Ronald Moore’s re-imagining of Battlestar Galactica demonstrated to me that Space 1999 could undergo a similar makeover.

8. What obstacles did you face to finish this screenplay?

The biggest obstacle was trying to figure out how the Moon would breakaway from Earth’s orbit that sci-fi fans would perceive as feasible.

9. Apart from writing, what else are you passionate about?

Keeping up with current events is important to me because it helps me to understand the world at large, which helps with my writing.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I found the festival’s website as I was looking for screenplay contests that I could enter. I was impressed with the testimonials from past contestants. Watching a couple of past readings also had an impact. The feedback I received was incredibly helpful.

11. Any advice or tips you’d like to pass on to other writers?

Never give up. Writing takes time, patience and research. Enter into as many contests as possible, especially ones that offer quality feedback, like the Fan Film Festival.

***
Director/Producer: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: John Johnson