FAN FICTION Short: FALLEN: A STAR WARS STORY, by by George Deihl Jr.

 

Genre: Adventure, Sci-Fi

After the events of the Phantom Menace and the start of the Clone Wars – a valuable lesson of integrity, love and the Force.

CAST LIST:

Qui Gane: Rachel Rain Packota
Narrator: Olivia Jon
Bixel: <a href="Allan Cooke
Jac Pale: Geoff Mays

Get to know the writer:

 1. What is your screenplay about?

Fallen – a Star Wars story is about Bixel, an exJedi who’s left the order to start a family on a distant planet. An unexpected visitor arrives and disrupts the peaceful life he’s struggled to create.

At it’s heart it’s about understanding that character and integrity, not uniforms and dogma are what make a hero.

2. What genres does your screenplay fall under?

Fantasy and Science Fiction, and of course Star Wars, which should be a genre in and of itself.

3. Why should this screenplay be made into a movie?

I believe it would start a dialogue about patience, caring and the people we call heroes in our society.

I think Star Wars has always been very progressive in its themes. Even the prequels were filled with subversive plot lines and thought provoking ideas – it was the story of a corrupt government working with a corporation to create an endless profitable war. The original trilogy was about fighting against the establishment. And just recently THE LAST JEDI’s true villain was toxic masculinity.

FALLEN continues with these themes. It is allegory of the over-reach of the Police, which is unfortunately happening around the world and in our country. Jac Pale believes himself faultless and is emboldened by his status a Jedi. Like a police officer who believes his uniform should illicit veneration, he is incapable of seeing the situation with Bixel and his daughter correctly. He then attacks and punishes instead of guiding, protecting and giving aid.

4. How would you describe this script in two words?

Exciting and heartbreaking.

5. What movie have you seen the most times in your life?

ehhhh – it’s probably STAR WARS. But I promise I am into way more than that.

6. How long have you been working on this screenplay?

The story and themes were with me for sometime. I wrote and edited it in about two weeks.

7. How many stories have you written?

I’ve written a feature film, THE JOURNAL OF 2ND LT. ISAAC BANGS. It’s a action / horror movie that takes place in Manhattan during the American Revolution. I’m working on a few shorts. THE ALGORITHM takes a science fiction bent on the dangers of following religious dogma blindly. The others, ISSUES vol 1 and ISSUES vol 2 – are about a psychiatrist whose clients are superheroes. Vol. 1, like FALLEN, is about how integrity of character makes a hero – not fancy costumes and powers. Vol. 2 is a sweet love story of two superheroes struggling with social issues and the hazards of secret identities. ISSUES has a great deal of comic book art that I have drawn myself, under the nom de plume – BIXEL BOONE.

I have also got another Star Wars short, about smugglers figuring out the political climate of the galaxy after the first DEATH STAR has been destroyed.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

Currently – YOUR LOVE by THE OUTFIELD. Music is always a big part of my artistic endeavors. YOUR LOVE is having an influence on ISSUES vol 2. It was DUEL OF THE FATES from THE PHANTOM MENACE soundtrack for FALLEN.

9. What obstacles did you face to finish this screenplay?

“Showing not telling” – writing behavior. It is something that, being a new writer, I’m currently struggling. I’ve a treasure trove of ideas and I’m just learning to turn them into screenplays.

10. Apart from writing, what else are you passionate about?

I am also an actor and an artist. I have been an actor in NYC for many years. Some years ago I was diagnosed with leukemia, which set me back a few years in my career. Fortunately, I am 100% back and have beaten it soundly. After returning to show-business, I realized I wanted to explore new ways to tell the stories running around in my head.

I am also a senior dog adoption advocate. And My wife and I have a 12 year old poodle named Vanilla Bean.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

Great – I love it. I’ve got all the deadlines stashed away so I can submit all the screenplays I am working on for next year’s festivals.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I wanted to find a way to do something more with these Star Wars Shorts than just show my friends. So…honestly – I googled “fan fiction screenplay festivals”.

The initial feedback was amazing! it was so helpful and much more detailed than I expected. It taught me things about myself a writer that I don’t think I could have discovered elsewhere.

******

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

Winning FAN FICTION Screenplay: WELCOME TO CRYSTAL LAKE (Friday the 13th), by Mike Meade

Genre: Horror, Crime, Thriller

When corrupt developers come to Crystal Lake with plans to build a new lakeside resort they run into one unexpected problem, Jason Voorhees.

CAST LIST:

Narrator: Val Cole

Frank: Kris Hagen
Elias: Peter Nelson
Sean: Nick Wicht
Tom: Mike Ruderman
Marta: Carina Cojeen

Get to know the writer:

What is your screenplay about?

Welcome to Crystal Lake is about a group of corrupt developers that come to town with plans to build a new lakeside resort, but when they take things too far by trying to force Elias Voorhees off of his property, his son Jason violently intervenes.

What genres does your screenplay fall under?

I’d say it falls firmly into the slasher sub-genre of horror.

Why should this screenplay be made into a movie?

I think this screenplay should be made into a movie because the Friday the 13th fans (including myself) are dying for the next film to be made, but we want it done right. To me, that means creating a story that is new and fresh, while keeping the same tone and feel of the original films. I think Welcome to Crystal Lake succeeds in doing that and also has the potential to be expanded into an even better feature film.

How would you describe this script in two words?

Classic Jason.

What movie have you seen the most times in your life?

That’s a hard one, but if I had to say which Friday the 13th movie I’ve seen the most times it would have to be Part 6, followed closely by Parts 4, 5, and 7.

How long have you been working on this screenplay?

I had the original idea almost two years ago, but didn’t actually write it until recently. By that time the story was so clear in my head it didn’t take long to finish once I got started.

How many stories have you written?

I couldn’t say for sure since I’ve been writing since I was a kid. But as far as screenplays go, I’ve written six shorts (including one I co-wrote) and am working on my third feature right now.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Fade to Black by Metallica. It never gets old no matter how many times I listen to it.

What obstacles did you face to finish this screenplay?

Just finding the time to actually write it since I was already working on other projects.

Apart from writing, what else are you passionate about?

I’ve been into martial arts since I was about ten years old, so that’s probably the biggest thing. I also like taking my Jeep up into mountains while my hound dog rides shotgun and going camping.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

I’ve had a great experience with FilmFreeway. Before I started submitting my stuff through them, I’d have to email each individual contest or festival, attach whatever file I needed, didn’t have my payment info saved, etc… Basically, it was a big hassle. With FilmFreeway it really just takes a few clicks and I’m done, plus it makes it super easy to keep track of all my submissions in one place. +

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I really wanted to write a Friday the 13th script, but was afraid it might never be seen or read by anybody, especially since I couldn’t sell the finished product. But then when I discovered this festival I thought I’d go ahead and give it a shot and I’m glad I did. When I received the initial feedback I was mainly impressed with how in depth it was. They had obviously taken the time to really read it and understand what I was going for.

 

****

Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Winning June 2017 FAN FICTION Screenplay – DOCTOR WHO “The Kingdom of the Mara” by Paul Hewitt

Genre: Fantasy, Adventure

The Doctor accidentally picks up Shona and the two investigate a red comet that lands on Earth. The Doctor discovers the Mara are back, and must use their technology against them to defeat them once more.

CAST LIST:

Narrator: Elizabeth Rose Morriss
The Doctor: Brian Carleton
Shona: Konstantina Mantelos
Solomon: Anthony Botelho
Vladislav: Jack Comerford
Mila: Andrea Meister
Enok: Jordy Kieto

Get to know the writer:

What is your TV spec screenplay about DOCTOR WHO about?

The Doctor and Shona (last seen in the episode “Last Christmas”), find themselves in Bohemia during the Dark Ages. A tyrant, Lord Ivan, hoards a peculiar red crystal with telepathic powers called the Crimson. Wearing jewels made of Crimson, Lord Ivan and his followers collectively conjure a serpentine gestalt being from the darkest recesses of their minds: The Mara.

Possessed by The Mara, Lord Ivan quickly conquers all before him. He besieges the largest castle (and only cathedral) in the rival kingdom of Vladislav. The Doctor knows that walls, warriors and weapons are no match for the insidious, seductive spell of The Mara.

The Doctor and Shona rouse King Vladislav and his people to fight The Mara through very unconventional means – particularly for The Doctor. The world’s future truly rests on a hope and a prayer.

Why does this screenplay fit into the context of the show?

It’s a traditional good versus evil story with the odd bits of comedy and horror that you’d expect from Dr. Who. I wrote it for the 12th Doctor, Peter Capaldi – who I think is fabulous – a throwback to the 70’s Doctors, Jon Pertwee and Tom Baker.

This story is very much in the mold of classic Doctor Who. You have a historic setting that is disrupted by the presence of a perfidious alien – oh, and then there’s The Mara and a mysterious red crystal. Seriously though, The Mara was one of my favourite Who monsters from the 80’s and I am surprised it has not reappeared on TV (yet). The companion Tegan’s experience with the “evil dream snake” is what made her my favourite during the Peter Davison years.

We all know The Doctor’s companion is a surrogate for the audience and a great companion makes for a great Who story. I chose a character from a recent Christmas special – Shona McCullough (played wonderfully by actor Faye Marsay)– because I immediately saw in her the potential for a long term TARDIS traveller.

How would you describe this script in two words?

Faith Wins

What TV show do you keep watching over and over again?

Doctor Who
(also Game of Thrones, Mad Men…)

How long have you been working on this screenplay?

Six months (Off and On). So maybe 6 weeks’ worth of an actual research and writing (and rewriting).

How many stories have you written?

Two Features (Housesitting, Guttersnipe)
One Documentary (All About Me)
One Short (co-wrote) (Saved From The Grave)

Next up is my own TV series and this TV spec script was an excellent exercise in writing for this genre.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

In My Life (The Beatles)

What obstacles did you face to finish this screenplay?

Time was my biggest obstacle… finding the time.

The second challenge was how to portray The Mara. It is obviously not my own creation, so I wanted to do justice to the original Mara stories with my version.

Apart from writing, what else are you passionate about?

Acting, films, politics, history, rugby and beer (not necessarily in that order)

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I had my first feature screenplay analyzed not once, but twice. I was impressed by the depth and value of the criticism. So I did not hesitate to submit my Doctor Who script for analysis and I am pleasantly surprised in the end to have it recognized here. Thank you.

Any advice or tips you’d like to pass on to other writers?

It’s an old cliché but true: Write what you know. That’s why I picked Doctor Who for my first TV screenplay.

Be prepared to take a lot of criticism along the way. Your story (and your skills) will benefit from it.

Procrastination is thine worst enemy.

*****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Camera Operator: Kierston Drier

Editor: John Johnson

Casting Director: Sean Ballantyne

Winning FAN FICTION TV PILOT – THE GHOST AND MRS MUIR, by Richard Mueller

Winning Screenplay – THE GHOST AND MRS. MUIR
Written by Richard Mueller

CAST LIST:

NARRATOR – Elizabeth Morriss
LUCY – Olivia Jon
CONNOR/MARTY – Daniel Chung
DELLA – Tea Nguyen
GREGG – David Occhipinti
NASH – John Fray
SUNSHINE – Georgia Grant
TARA – Cora Matheson

SYNOPSIS:

Genre: Comedy, Horror, Sci-Fi, Romance

A reboot of the 1960s TV show (and 1945 movie) based on the R.A. Dick novel. A young widow and her two teenage children discover that the seaside house they have moved into is haunted. .

 Get to know the writer:

What is your TV Pilot screenplay about?

A single mom and her kids struggle with a failing career, adjusting to small town life and romantic entanglements with a sea captain who’s been dead for a hundred years.

Why should this screenplay be made into a TV show?

Because it’s an entrancing world, filled with lovable, beguiling people.

How would you describe this script in two words?

Spooky Romance

What TV show do you keep watching over and over again?

Gilmore Girls and Burn Notice

How long have you been working on this screenplay?

About five months from start to submission in Fan Fiction Festival.

How many stories have you written?

Four competed scripts, one half of a novel and 7.4 bizillion ideas.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

OMG. Just one? Okay then: Ruth Brown – Cabbage Head

What obstacles did you face to finish this screenplay?

Getting past my own ideas of what it was “OK” to write and allowing myself to wantonly follow my inspiration. I’m glad I did it too, because now I am writing more, better and with increased enjoyment.

Apart from writing, what else are you passionate about?

My passion is for storytelling. I’m a professional artist and designer with experience in a wide variety of media and I’ve found that regardless of whether I am creating an ad campaign, an interior design, a virtual world or writing a narrative, it is story that is the structure everything else hangs on. And that is something I just can’t get enough of.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I have no writing group and needed an outside eye. I got exactly what I’d hoped for in the feedback, it was perfectly professional, spot on and taught me things that influenced my subsequent project and made me better as a writer.

Any advice or tips you’d like to pass on to other writers?

Follow your inspiration fearlessly and remember there is always more than one reward to creative expression.

*****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Camera Operator: Kierston Drier

Editor: John Johnson

Casting Director: Sean Ballantyne


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Winning FAN FICTION SPEC of EVERYBODY LOVES RAYMOND, by Marc Mulcahy

Winning Screenplay – EVERYBODY LOVES RAYMOND
Written by Marc Mulcahy

CAST LIST:

NARRATOR – Sean Ballantyne
MARIE – Frances Townend
RAY – Peter Mark Raphael
DEBRA – Kayla Farris
JEFFREY – Jonah Akler-Silliman
ROBERT – Christopher Huron
AMY – Vanessa Quagliara
FRANK – Charles Gordon

SYNOPSIS:

Genre: Comedy, Family

It’s Marie vs Debra in a cat & mouse game for control of who’s cleaning the house.

Get to know the writer:

What is your screenplay based on the TV SERIES “Everybody Loves Raymond” about?

It’s about seeing what we all figured would happen eventually; that Marie’s constant meddling and being a nuisance in general, would lead to Debra’s insanity.

How does this episode fit into the context of the series?

I actually thought this plot line was a no-brainer for Debra. I would have done this myself given the same situation.

How would you describe this script in two words?

Sweet revenge

What TV show do you keep watching over and over again?

Seinfeld

How long have you been working on this screenplay?

Initially, it took a few days but I’ve tweaked it several times over the past several years.

How many stories have you written?

Three sit coms and one film.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

That’s a tough one. Sometimes I’ll be in a certain mood and one song fits it perfectly so I just keep playing it for hours. Once, during a late, dark night on a long and empty stretch of I99 in California, I listened to Chris Isack’s, Wicked Game for 6 hours.

What obstacles did you face to finish this screenplay?

Still not happy with a couple lines.

Apart from writing, what else are you passionate about?

Animals, justice, cooking and dining out, creating fun and innovative entertainment, growth, experiencing unforgettable moments (CORRR-ny)

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I wanted to get some feedback on it and I thought people would enjoy it. Great feedback, thanks.

Any advice or tips you’d like to pass on to other writers?

In the words of Rodney Dangerfield as Thorton Melon, “Don’t go. It’s rough out there. Move back in with your parents. Let them worry about it.”

But if you insist, get your work out there, everywhere. Listen to criticism and learn what you can from it but don’t let it get to you. Remember, your writing is YOUR view on the subject so don’t compromise that. Go back to your earliest stuff and make it better. If you can’t do that, you either have the rare early masterpiece, or maybe you should consider another dream job. I’m sure every writer has heard to write what you know and what you care about. When you do, your writing becomes interesting, and for me, this is the the most important thing about a script. You can follow all the formulas you want but if it isn’t interesting then what’s the point. Conversely, if you have a very interesting story, you can break many, if not most formula rules–as long as you keep it interesting. Oh, and a very good agent wouldn’t hurt, either. The reality is you can be the best unknown writer since Shakespeare, but to be successful at this gig you will also need some luck and there’s a decent chance that some of your success will come from the old “who you know” variety. The fact that every year sharp, really well written shows get dropped while 2 Broke Girls remains on the air (I’m still convinced there’s serious network blackmail going on there) proves this point.

Lastly, A famous script doctor–who’s services I wasted $6,000 on–said that most writers better be prepared to stick it out for 10 years before they can make a living from writing. This Debby Downer also told the auditorium of almost 900 wanna-be writers that only a handful present would probably be successful and that many would lose friends and family because of their failures. In retrospect, I guess I should have waited until AFTER the 3 day seminar to quit my day job. The good news is that with webtv and all the new platforms, there are more opportunities than ever for writers. Just keep looking for these different avenues to showcase your work.


TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
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Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Camera Operator: Kierston Drier

Casting: Sean Ballantyne

FAN FICTION Screenplay – UNIVERSAL SAINT BATMAN by Nathan Trumbull

Watch the January 2017 FAN FICTION Screenplay Winner.

Best Scene from the screenplay UNIVERSAL SAINT BATMAN Screenplay
Written by Nathan Trumbull

CAST LIST:

NARRATOR – Catherine D’Angelo
SUMMER – Val Cole
BIRDIE – Shannon McNally
KYLE – Gabriel Darku
BRUCE WAYNE – David Straus
VIC STONE – Charles Gordon
JOKER – Nick Wicht

SYNOPSIS:

Genre: Adventure, Action, Sci-Fi, Mystery

Decades after the disbanding of the Justice League, Gotham citizen, Birdie Vale’s public and private fight with a cutting-edge robotic policing initiative leads her on a collision course with not only her clouded past, but the Dark Knight himself.


What is your screenplay about?

Universal Saint Batman is about a future where Gotham has begun questioning Batman’s relevance after the dawn of hyper intelligent AI systems and androids. Birdie Vale, a new character to the Batman Universe, seeks to find out from the Bat himself what he thinks about the new robots as well as explore her own personal relationship to him.

What genres does your screenplay under?

In typical Batman fashion, I’d consider this a neo-noir sci-fi mystery.

How would you describe this script in two words?

Fun and fresh

Why should this screenplay be made into a movie?

I think this would make a great film because it doesn’t follow Batman or Bruce Wayne, but rather a whole new character for people to rediscover the Batman universe with. It offers a fresh story with a cast of characters you may be familiar with, but shown in an entirely new light.

What movie have you seen the most times in your life?

I’d bet Jaws

How long have you been working on this screenplay?

I’d had the idea for the script for quite awhile before sitting down to write a draft, of which I wrote three in about two months time before it came to how it exists now.

What motivated you to write this screenplay?

I’d always wanted to give fan fiction a try and contests like this one seemed as good a reason as any.

What obstacles did you face to finish this screenplay?

Finding people to generate good feedback on fan fiction is difficult when no one in your creative circle has done it before so I’d say that was the hardest challenge… That or deciding to gender swap the main character after the first draft.

Apart from writing, what else are you passionate about?

I enjoy bouldering, movies, and video games when I have the time.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The festival was great motivation to get the script done and the feedback was indispensable in regards to bettering myself as a writer.

Any advice or tips you’d like to pass on to other writers?

Don’t dwell on the advice of other writers. Do what lets you write and write as much as you can.

****
Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com
Casting Director: Sean Ballantyne
Editor: John Johnson

TV CONTESTSUBMIT your Best Scene Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Best Scene Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
Screenplay CONTESTFIRST SCENE (first 10pgs) Screenplay CONTEST
Submit the first stages

 

Fan Fiction Festival Announces its 2016 Screenplay Winners

Fan Fiction Screenplay has announced its 2016 winning screenplays.

All winning screenplays were performed by professional actors and brought to life.

Watch all the winning works at http://www.fanfictionfestival.com

12 Winners for 2016:

1. HOW I MET YOUR MOTHER TV Spec
by Eugene Ramos

2. THERESE (Sequel to 2016 Film CAROL) Feature Script
by Heidi Scott

3. GILLIGAN’S ISLAND OF THE DEATH TV Show
by Jerry Kokich

4. VIGILANTE: THE ORIGINS OF CASEY JONES TV Pilot
(From Teenage Mutant Ninja Turtles)
by Justin Prince

5. THE MASK OF LEIA Short Script
(From Star Wars universe)
by Ian Wilson

6. STAR TREK DEEP SPACE NINE TV Spec
by Jennifer Renner

7. SPACE 2099 TV Pilot
(From TV show Space 1999)
by Kevin D. Story

8. STAR WARS Episode 1 Feature Script
(From Star Wars universe)
by Bryan O’Flaherty

9. THE TWILIGHT ZONE TV Spec
by Jaime Medina

10. MAGNUM P.I. TV Spec
by Lew Ritter

11. THE TIME CUCKOO Short Script
(From Doctor Who universe)
by David Gilbank & Paul Renhard

12. US NAVY CINE KODAK Short Script
(From WWII era stories)
by Stephen M. Hunt