September 2016 Fan Fiction Screenplay Winner

Watch the September 2016 Fan Fiction Screenplay Winner. 

Submit your Fan Fiction Screenplay to the Festival:

Fan Fiction: VIGILANTE: The Origins of Casey Jones (TMNT) by Justin Prince


Genre: Action, Crime, Thriller

After an injury put a halt to his plans of playing hockey in the NHL, Casey Jones doesn’t believe life can get much worse. He soon finds out just how wrong he is. Faced with a tragedy Jones takes justice into his own hands, becoming a hockey mask wearing vigilante. (Based on the character from Eastman and Laird’s Teenage Mutant Ninja Turtles).


NARRATOR – Steve Rizzo
CASEY – Randy Baumer
BOSS – Dan Cristofori
HUN – Steve Mitchell
CRISTO – John Fray
VAN – Kaleb Alexander
APRIL – Norma Dawn Dunphy

Get to know the writer:

What is your screenplay about?

My screenplay works as a retelling of the origin story of Casey Jones, the hockey masked vigilante of Teenage Mutant Ninja Turtle’s fame. The story reveals who Casey is as a person and what events push him to take on his crime-fighting persona.

What genres does your screenplay fall under?

I would describe it as a graphic action/superhero film.

Why should this screenplay be made into a movie?

Casey Jones is one of the most popular characters from the TMNT universe outside of the four turtles themselves. This script really just gives you an idea of who Casey Jones is, the hardships that shaped him and how he develops into the vigilante that goes on to become one of the turtle’s most trusted allies.

How would you describe this script in two words?

Gritty & fun.

What movie have you seen the most times in your life?

I’m not sure; there are a lot of movies I revisit, including the original 1990s live action TMNT film. But, the film I’ve probably watched the most in my life is probably “Raging Bull.”

How long have you been working on this screenplay?

I have been a TMNT fan my entire life but as I got older I began to identify more with Casey Jones than I did the turtles themselves. So I’ve been conceptualizing the script for a long time I’d say. But, it wasn’t until after the most recent TMNT film was released that I began to really sit down and outline the story. The TMNT of the comics are actually really dark and gritty with Casey Jones being one of its darkest and most gritty characters. I really wanted my script to reflect the comic universe more so than any of the film incarnations of the TMNT have.

How many stories have you written?

Oh, I could never put a number on it. I’ve been writing stories since I was a little kid. I’ve always enjoyed storytelling and have told stories in almost every format you can tell one in. As far as scripts go this is my fifth short script. I’m also currently working on the screenplay a feature length film.

What motivated you to write this screenplay?

I just really wanted to tell a story within the TMNT universe but tell it in a way that reflected the comics more so than the cartoons. The original TMNT comics are really quite a contrast from the other forms of TMNT media; they also started as a parody of the superhero genre. I wanted to bring the grittiness of the comics to life in a script and I also wanted to have that element of parody. So here that element comes with Casey’s obsession with action films and his penchant for quoting them in battle.

What obstacles did you face to finish this screenplay?

The biggest obstacle was writing the action sequences. I haven’t ever really written any significant action sequences for a screenplay before and this one has several of them. So figuring out how to write them in a way that conveyed what I envisioned along with the pacing I had in mind was really something I had to experiment with to figure out.

Apart from writing, what else are you passionate about?

I’m really passionate about all aspects of film. Lately, I’ve really began to delve into editing and learning the way that editors tell a story or alter how a story is told.

Any advice or tips you’d like to pass on to other writers?

My biggest tip is embracing the rewriting process. So many people like to write, but they don’t like to rewrite. You have to learn to love rewriting, especially if you’re going to choose to write screenplays.

Director/Producer: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: John Johnson

Fan Fiction Screenplay – The Mask of Leia by Ian Wilson

Watch the August 2016 Fan Fiction Screenplay Winner.

by Ian Wilson


Genre: Action, Adventure, Sci-Fi

Following the Battle of Endor and the defeat of the Empire, Leia secretly struggles with her own ongoing internal battle with the Force.


NARRATOR – Becky Shrimpton
LEIA – Laura Darby
EMPEROR – Stephen Flett
HAN SOLO – David Straus
ACKBAR – Rais Muoi

Get to know the winner writer: 

1. What is your fan fiction screenplay about?

The Mask of Leia is a thought-provoking drama that explores the hidden psyche of Princess Leia. It aims to prompt the viewer into thinking about the trauma that Leia has undergone through the Star Wars story and what her internal struggles from dealing with all that suffering might be.

By all rights, Leia should be a total basket-case or at least have severe PTSD but she has managed to mask these personal struggles from everyone around her, including Han Solo. The script also explores the potential of her being Force-sensitive and keeping this hidden, perhaps for political reasons.

How does this screenplay fix into the context of the Star Wars universe?

The story takes place just after the Battle of Endor (Star Wars: Episode VI -The Return of the Jedi) and the defeat of the Empire.

Leia and Admiral Ackbar lead the Rebel forces to the planet Coruscant to secure the New Republic. It is during this journey that we see Leia secretly struggle with her trauma and her ongoing internal battle with the Force.

How would you describe this script in two words?

Hidden backstory.

What TV show do you keep watching over and over again?

I’m a Dr. Who fan. I have been since I was about five years old. I
love watching the current Doctor, Peter Capaldi, because I went to school with him and we were in the same theatre company together as teens in Glasgow, Scotland. He used to play Dr. Who in the school playground and he was a natural at it then. I was not surprised that he got the role as Doctor Who.

5. How long have you been working on this screenplay?

The story was sketched out over a couple of days between film
director, David Connellan, and myself. It then took me about three weeks to achieve the final draft.

6. How many stories have you written?

In terms of screenplays, I have written five stories – two features and three shorts. I am currently, writing my third feature, which is a thriller/horror.

7. What motivated you to write this screenplay?

I have always been a Star Wars fan from the very first time I saw that iconic Star Wars roll-up. So, when my friend and director, David Connellan, asked me to write a screenplay for a Star Wars short I jumped at the chance. Writing the roll-up to this story was fun.

8. What obstacles did you face to finish this screenplay?

The goal was to come up with a five-minute screenplay – about five pages. Trying to capture the whole of Leia’s trauma into just five minutes was very difficult. My initial draft was close to twelve pages and the final draft was around eight pages. Cutting out some great scenes and dialogue was tortuous. Sadly, cutting it down further for a five-minute film meant a lot of sacrifices in the overall story, including the iconic roll-up.

Apart from writing, what else are you passionate about?

Travel. In my view, travel has been my greatest teacher. It has
allowed me to experience and understand people and cultures across so many countries. Travel has helped me realize that while we are all members of the same small planet and there are also more ways to live than just the one we have been born into.

Travel is experiential and visual and for me that helps me in my
screenwriting, which is very much about creating a visual experience.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The Fan Fiction Festival is a well renowned festival and platform for fan fiction and fan films. Entering the Festival was a “must-do” for me. In the Fan Fiction Festival, I love how engaged fans can be in developing their own derivatives of the original stories. It’s a form of organic creation that deserves more credit.

The feedback I received from the festival was very useful in tightening the story. I certainly appreciated this. The only advice I didn’t feel comfortable with was to develop more character for Han Solo. I felt that would have detracted from Leia’s story.

Any advice or tips you’d like to pass on to other writers?

I like to start with “what if” questions to get a story going. The concept of The Mask of Leia is a good example. What if Leia has PTSD and is being internally pulled by the dark and light side of the Force? Think about that question and you have all sorts of ideas for a story.

Write with passion and don’t be afraid to go with your gut when writing a story. If you let others get involved and question your story concept early in the process it will most likely upset your creativity and your story will turn out half-assed. Of course, listen to feedback once you’ve completed that first and subsequent drafts as feedback will help refine and improve the story.

Finally, I’d say that make sure that you develop engaging characters.

Such characters are distinct, likeable (or loathsome) and have a strong motivation. Ultimately, these characters do not ride along with the flow of the story, rather they create the direction of the story.

Director/Producer: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: John Johnson

Watch the January 2016 Fan Fiction Screenplay Winner

Written by Stephen M. Hunt


Genres: War, Thriller, Drama

France, 1941; an American undercover war correspondent is overwhelmed by an old woman’s unique and unbelievable response to local, Nazi atrocities.


NARRATOR – Holly Sarchfield
DUBIN – Dan Cristofori
WOMAN – Katelyn Vanier

Get to know writer Stephen M. Hunt:

1. What is your screenplay about?

To deter the Resistance the Nazis in Paris inflict inhuman cruelty on civilians while unaware of how an old woman will expose their atrocities to the world.

2. Why should this screenplay be made into a movie?

US Navy Cine-Kodak is being extended into a feature screenplay so a movie of the short screenplay would be paramount in generating interest in the longer version.

3. This story has a lot going for it. How would you describe this script in two words?

Riveting, surprising.

4. What movie have you seen the most in your life?

The Charles Laughton version of “The Hunchback of Notre Dame”.

5.  This is  a very tight, emotionally engaging and fun screenplay. How long have you been working on this screenplay?

I had a 1st draft within a week but it took two further months of constant revising before I had the present script.

6. How many stories have you written?


7. What motivated you to write this screenplay?

The idea was born out of a conversation I had with a producer / director looking for an original twist on a well-known produced feature film.

8. What obstacles did you face to finish this screenplay?

The project’s underlying premise made it easy to write – refining the 1st draft into it’s present format was most certainly the hard part.

9. Apart from writing, what else are you passionate about?

My family and relocating from England to France which has been a life-long ambition.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The Fan Fiction Festival was ideal for US Navy Cine-Kodak as the premise for the script occurs in a famous Meryl Streep film. The feedback helped enrich the script.

11. Any advice or tips you’d like to pass on to other writers?

Successes in film festivals and screenplay competitions are vital for a newbee screenwriter but all that is for nothing if a screenplay writer doesn’t also work hard at promoting themselves / their work.

Watch COMIC BOOK Stories from the Writing and Film Festival

Watch winning stories and movies showcased at the Writing and Film Festival in the COMIC BOOK/SUPERHERO genre: Short, Feature, TV Screenplays. Short Stories. Novels. Stage Plays. Poems. Stories from festival made into movies:

Watch the best of COMIC BOOK Stories from the Festival:

June 2013 Reading
Written by Adam Kennedy


The series follows the journey of Dick Grayson from average student to Robin to Nightwing. In the pilot, Dick, an acrobat during the summer with his parents, begins school at Crestwood Academy, a prestigious private school just down the road from the shuttered and mysterious Wayne Manor. A scholarship student, he is quickly labeled “the circus boy” and is publicly humiliated by the school jock. Offered the chance to get even, Dick gets into an unexpectedly dangerous situation that ultimately puts him on a collision course with destiny.

TV SPEC – ARROW “Second Chances”
March 2015 Reading
Written by Molly Driscoll


OLIVER questions his mission and family loyalty when DIGG’s former lieutenant RICK FLAG threatens to make MOIRA pay for her unpunished crimes. Meanwhile, SARA visits LAUREL in rehab and ROY struggles with leading a double life from THEA. Back on the Island, Sara warns Oliver of SLADE’S increasing erratic behavior.

March 2015 Reading
Written by Glenn Magas & Dale Fabrigar


Old heroes, new enemies, and Kryptonite. Batman and Superman may need to come out of retirement to save the world.

BEST SCENE – BIONIC (From Bionic Man TV Pilot)
March 2015 Reading
Written by Craig Glatt


Steve Austin lands on Air Force One. Jamie loves Austin and of course he knows. Computer Tech Rudy tries to save the world while he mother tries to stop him. And X-5 is all over it!