FAN FICTION BEST SCENE Reading of BLACK WIDOW: FUGITIVE,, by Brooke Elowe

 

Genre: Action, Crime, Thriller

After the events of Captain America: Civil War, Natasha Romanoff is on the run. Branded a fugitive for violating the Sokovia Accords, Natasha tries to keep her head down and lay low, but there’s no rest for the world’s greatest spy…

CAST LIST:

Narrator: David Occhipinti
Natasha: Lindsay Gerro
Tori: Norma Dunphy
Ava: Carina Cojeen
Waiter: Nick Baillie

Get to know the writer: 

 What is your screenplay about?

The story follows Natasha Romanoff, better known as the Black Widow, after the events of Captain America: Civil War, so it’s set in the Marvel Cinematic Universe. Natasha was branded a fugitive for violating the Sokovia Accords and is currently being hunted from all sides. She must not only protect herself but also a young girl from her past: Ava Orlova.

What genres does your screenplay fall under?

Superhero fiction, Action, Sci-Fi

Why should this screenplay be made into a movie?

Not only have fans wanted to see Natasha Romanoff shine in her own standalone franchise for years, it’s also a ripe time in the industry to make female-lead superhero films. I think this story serves as a unique take on the genre, focusing on a duel-protagonist, sisterly dynamic between Natasha and Ava. That, combined with Marvel’s winning formula for making superhero films, would make for a successful movie of an iconic character.

How would you describe this script in two words?

Dynamic Duo

What movie have you seen the most times in your life?

Definitely Captain America: The Winter Soldier. Also Stepbrothers.

How long have you been working on this screenplay?

Start to finish, I’d say about a year. The process was broken up by my college courses and job, so I worked on it whenever I had time.

How many stories have you written?

This is actually the first screenplay I’ve ever written, which is why the writing process took a bit longer than normal. I first had to learn how to construct an actual script, with regards to formatting, editing, etc.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

That’s definitely a tough one. I’d say “Rather Be” by Clean Bandit or “You Need Me I Don’t Need You” by Ed Sheeran.

What obstacles did you face to finish this screenplay?

I think deciding which characters to include in Natasha’s story was a challenge, considering the extensive line-up of heroes in the MCU. Also, mapping out the script and making sure it was coherent, with regards to plot holes and character arcs, was another challenge as well. However, I really enjoyed the process of constructing Natasha’s story. I have a large amount of material that either changed or didn’t make the final draft, which enriched the editing process and added to the overall satisfaction of completing the script.

Apart from writing, what else are you passionate about?

Most definitely music. I’m a songwriter and am hoping to get into Music Supervision after college. I love reading, travelling, and video games and am also working on a sequel to this screenplay.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

It was a very seamless process. I had no trouble submitting my script or payment.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Seeing as this was a passion project of mine, I really wanted to have an industry professional’s point of view, as having a knowledgeable set of eyes reading the script would benefit the story. The feedback was fantastic. It was critical without being negative, bettered the script overall, and increased my confidence as a screenwriter.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

Winning Fan Fiction Screenplay – ROCKETEERS, by Gil Saint

Watch the August 2017 Winning FAN FICTION Screenplay.

Genre: Action, Adventure, Fantasy, Family.

Based on the 1991 movie “The Rocketeer”. The grandson of a high-flying hero will do anything to live up to his grandfather’s legacy, including battling a new global threat. The odds may be against him, but he’s got a secret weapon: a prototype jetpack that’s destined to make him a legend.

CAST LIST:

Narrator: Hugh Ritchie
Charlie: Nick Wicht
Lex: Julia Baldwin
Valentina: Alicia Payne
Tour Guide: Beck Lloyd
Bodyguard: David Occhipinti
Air Traffic Guy: Michael Lake

Get to know the writer:

What is your screenplay about?

In the spirit of something like TRON: Legacy or Jurassic World, ROCKETEERS is a modern day “legacy-quel” that pays tribute to its source material, but takes the mythos in an exciting new direction. It’s a passing-of-the-torch from the jazzy 30’s world depicted in the original 1991 Rocketeer movie… to what the golden age hero might look like in today’s high-tech universe. My story follows Charlie Secord, a thief with a good heart who will do anything to protect his grandfather’s heroic legacy — that of Cliff Secord, the original Rocketeer. Yes, the jetpack doesn’t fall far from the tree, as we see Charlie forced into taking up the mantle of becoming the Rocketeer when a frightening new global threat emerges with designs on ruling the skies. Charlie may be in over his head, but he won’t have to battle evil alone… hence the title, ROCKETEERS. The ‘s’ -the pluralization of that word- is meaningful in more ways than one.

What genres does your screenplay fall under?

Hopefully, like its blockbuster predecessor, it’s a Family Action/Adventure.

Why should this screenplay be made into a movie?

Of all of Disney’s live action fare from the 80’s and 90’s, I firmly believe The Rocketeer is the most deserving of a sequel. Aside from the fact that I believe he’d feel right at home in the superhero movie landscape –especially with the homegrown, All-American Steve Rogers defending the multiplex for the MCU; a square-jawed Cliff Secord type– I think the universe of The Rocketeer is ripe for re-discovery and exploration. The original movie is a classic, no doubt, but it’s really a comedic look at the classic hero’s origin story. We’ve seen him learn to fly and juggle his secret identity with his masked one, with kind of a wink and a smile. But we’ve also seen that now in countless other superhero movies. What excites me is the possibility of seeing this “aw shucks” hero through the lens of a modern day action film; seeing him go up against other high-flying villains that are, perhaps, villains better suited for a Liam Neeson actioner, and not a family film. How does that affect the tone of The Rocketeer when, yes, we believe he could be in real mortal danger? And yes, we’ve seen him in the golden age of zeppelins and biplanes. Now let’s see him survive high-stakes threats in an age of drones and stealth military tech wonders and power-mad dictators. And, what they could achieve with the modest optical FX of the 90s was great, but how cool would it be to see The Rocketeer in an ILM-style action sequence with updated VFX?? I get a big, goofy grin on my face just thinking about how cool it would all look. Look out, Iron Man! This Rocketeer would straight up OWN aerial action sequences.

How would you describe this script in two words?

As you can probably tell, brevity is not my strong suit. Two words…. aw jeez… how about: ROCKETEER. INSANITY.

What movie have you seen the most times in your life?

I’m an action and sci-fi nut, but funny enough, the movie I’ve probably watched the most is ED WOOD. I love watching movies about making movies, and I also am something of a Tim Burton apologist. I used to be a Tim Burton defender, now I’m an apologist. It’s not easy these days for us Burton fans. Well, before Alice and all that, he made what might be the best movie about making a movie ever made… ED WOOD. It’s Depp in his prime before he started annoying people. It’s touching, uplifting, humanizing… and it’s honestly the funniest movie I’ve ever seen. I’d put it above Spinal Tap for best comedy movie, no joke. The late, great Martin Landau powers the movie with an all-timer performance as Bela Lugosi. That accent. Every line out of his mouth is a quotable gem. And when I’m feeling down, or creatively empty, the movie inspires me. It reminds me of everything I love about movies and the creative process in general. It teaches me to rise above the odds, to shake off the hate and second thoughts. It makes me want to create. Plus, it’s got gorgeous black-and-white cinematography and an awesomely gothy score. Runner-up is PUMPKINHEAD.

How long have you been working on this screenplay?

I’ve honestly been toying with this story for 26 years. Ever since I saw the first Rocketeer in the theaters back in ’91, I was imagining a sequel. I kept holding out hope that Disney would make one, but they never did. I scribbled little notes here and there, I’d put it down, I’d pick it up, and back down again. It was only recently, in the last year, that I sat down and made myself streamline the ideas and turn it into a screenplay. Once I got writing, I cranked it out over a couple of weekends; full days of writing – mornings for new stuff, afternoons for rewrites.

How many stories have you written?

Several. I don’t have an exact number thanks to all the false starts, but it’s I’m sure it’s up there. I have stories I keep going back to, and I have inklings of ideas for things all the time. Let’s guesstimate that it’s between five real stories and about a zillion fragments of others.

What is your favorite song? (Or, what song have you listened to the most times in your life?)

Man, this is tough. It’s not my favorite, but you know what song I listen to A LOT? “Epic” by Faith No More. When those drums kick in, it gets me so pumped up, I feel like steam shoots out of my ears like a real life Looney Tune, and I bounce around the city all day after I hear it. I feel like I could run through a wall, or take on the world, or at least mosh a bit and not be self-conscious about it.

What obstacles did you face to finish this screenplay?

I’m my own worst enemy. My biggest obstacle is my stupid mind. My first instinct is to second guess everything I put on the page. “Is it good enough?” “Will people think this is cool?” “Does this make sense?” I have to fight those demons back every page, and remind myself that I’m writing for me. No one else. Yes, it’s good to know your audience and all that, but you have to please yourself first and foremost. If you yourself like it, chances are others like you will enjoy it too. Once I get over that little voice, the scenes geyser out. Movie magic happens.

Apart from writing, what else are you passionate about?

Animals – especially, my cat. I’ll keep his identity a secret, but his nickname is Boo Man. He’s freakin’ adorable. I also am an avid movie watcher. I am passionate about seeing film and discussing it; I average 1 to 2 trips to the theater a week. I like to see everything on THE BIGGEST SCREEN POSSIBLE. Big releases, indies, classics. Specialty screenings are my favorite. I recently saw a 35mm print of the original Robocop on the big screen and it was a transcendent experience. The audience was cheering and hollering at every classic scene, it was like an interactive Robocop rock concert. “Dead or alive, you’re coming with me!” APPLAUSE. “Your move, creep!” DOUBLE APPLAUSE. I also pretend I’m interested in cooking, but I think I’m more interested in eating.

You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

So far, so good. They’ve made submitting easy, and I’m extremely grateful for that.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Fan Fiction Festival seemed liked the premier fest for fan-driven stories, so it felt like an organic choice. I wanted the script to find an audience of like-minded creators and fans that not only celebrate the properties they love, but create within those worlds as well. I’m happy your fest exists, honestly; it seems like fan fiction stuff is hard to get out there, so thank you for doing the good work. In terms of feedback, I’m always gobsmacked anytime anyone likes anything I do, so I was flattered by my reader’s kind remarks and warm reaction to the script. I also thought he was gentleman, and phrased his constructive criticism in a very polite manner. If you’re reading this now, Mystery Reader Man, thank you for that.

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson

Camera Operator: Mary Cox

2 BROKE GIRLS Original Screenplay Reading – Watch Now!

Watch the Performance Reading of 2 BROKE GIRLS:

Script titled “And the Sick Horse” by Greg Wayne

SYNOPSIS:

When Chestnut falls ill, the girls are forced to become phone-sex operators to pay for his treatment. Meanwhile, Oleg and Earl coach Han in preparation for a big date.

CAST LIST:

NARRATOR – Gennalee Gordon
CAROLINA – Lex Kilgour
MAX – Stefanie Terzo
OLEG/GELO – Neil Bennett
HAN – David Poon
DR. HUNG – Danielle Nicole
EARL – Rob Green
WOMAN – Hannah Drew
HIPSTER #1 – David Occhipinti
HIPSTER #2 – Paul R. Whitaker

Get to know writer Greg Wayne:

1. Why would your TV SPEC be a perfect episode for the original show?

I think it captures the tone and voice of the series, and explores the topic of equine bowel obstruction in a unique way.

2. How long have you been writing screenplays?

About four years.

3. What film have you seen the most in your life?

Barry Lyndon or Happy Gilmore

4. What artists in the film industry would you love to work with?

Mickey Rourke

5. How many screenplays have you written?

One feature, one short, four sitcom specs, and a bunch of sketches.

6. Ideally, where would you like to be in 5 years?

Writing for television or film.

7. Describe your process; do you have a set routine, method for writing?

I procrastinate until writing becomes less painful than not writing.

8. Apart from writing, what else are you passionate about?

Very little.

9. What influenced you to enter the WILDsound Script Contest?

The chance to have the script read by actors.

10. Any advice or tips you’d like to pass on to other writers?

Cutting carbs is the easiest way to lose weight.

Watch Original Performance Reading of MARY TYLER MOORE Show

Watch the Performance Reading of THE MARY TYLER MOORE SHOW:

Script titled “Branching Out” by Barry Brennessel. An original episode written in 2014 for the classic 1970s show.

Read interview with the writer:
http://www.wildsoundfestival.com/mary_tyler_moore_show_tv_script.html

SYNOPSIS:

Rhoda becomes the Hempel Catalogue Department’s new creative director. She has a brilliant idea requiring use of the WJM newsroom and begs Mary to ask Lou for permission to do a photo shoot there.

CAST LIST:

NARRATOR – Gennalee Gordon
MARY – Danielle Nicole
RHODA – Hannah Drew
MURRAY – Neil Bennett
LOU – David Occhipinti
PHYLLIS – Lex Kilgour
BESS – Stefanie Terzo
TED – Paul R. Whitaker
PHOTOGRAPHER – Rob Green

Submit your own classic fan fiction screenplay today: http://www.fanfictionfestival.com