Genre: Action, Drama, Crime, Thriller
A single father struggles to live and provide for his young son in downtown Gotham City.
Narrator: Carina Cojeen
Father: Nick Baillie
Get to know the writer:
What is your screenplay about?
Living in Crime Alley is about a single father in downtown Gotham City struggling to live and provide for his young son. The son is a huge fan of Batman. Living in Crime Alley raises questions of morality and justice from the points of view of a father, the child and the dark knight himself.
What genres does your screenplay fall under?
Why should this screenplay be made into a movie?
This screenplay should be made into movie because it brings the dark knight and
everything that he brings with him into the sharp focus of todays recession and the reality of everyday struggle. The perspective of a ground level citizen living in Gotham City is something that hasn’t been fully explored in film. Despite Batman having been created in the late 1930s, Living in Crime Alley shows that his character has a resonance with the life that people live today.
How would you describe this script in two words?
What movie have you seen the most times in your life?
Billy Wilder’s The Apartment. Its simply one of the best movies ever made. Great
writing, great direction and masterclass acting from Jack Lemmon. A funny, dramatic,timeless movie that I’ve re-watched many times for inspiration and entertainment. But Hitchcock’s Rear Window runs at a close second.
How long have you been working on this screenplay?
I’ve been working on Living in Crime Alley for the the last 6 months. I started writing the screenplay after having gone through one the worst financial periods in my life. Instead of sitting around helplessly, I wrote Living in Crime Alley not only as a way to escape my own problems, but also to express my frustrations in a creative way.
How many stories have you written?
I have written several original short stories for films, but this is my first fan fiction short screenplay. I’m a huge fan of the Batman character and I’ve always wanted to write or direct a Batman story.
What is your favorite song? (Or, what song have you listened to the most times in your life?)
One of my favourite songs and one I listen to all the time is Sinnerman by Nina Simone. Or any Nina Simone songs in truth.
What obstacles did you face to finish this screenplay?
The biggest obstacle I had to finishing the screenplay was the ending. As a writer, I think its important to raise questions within your work. The final moments of Living in Crime Alley is very much a question on justice and morality. From another perspective, the ending could’ve gone for a more sympathetic route or perhaps an even more darker turn. I leave it to the audience to make their own judgement.
Apart from writing, what else are you passionate about?
Besides from writing, I’m passionate about making films. I have directed several short films, some of which have had screenings at BAFTA recognised film festivals. I also love to draw, read, travel and eat good food.
You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?
This is the first time I’ve entered a screenplay on FilmFreeway. In my experience, it’s by far, the easiest way to submit your work to festivals.
What influenced you to enter the festival? What were your feelings on the initial feedback you received?
I submitted Living in Crime Alley to Fan Fiction Festival to gain constructive feedback on my work and progress as a writer. I never expected the screenplay to be a winner and for that I am very grateful. The feedback was extremely valuable in helping me hone my craft. They pointed out particular screenplay formatting issues I had made, in terms of introducing characters, dialogue etc. As well as making creative suggestions on how to improve the story. I’ve never really been a confident writer, but the feedback they gave me on my screenplay was a validation on my skills.
Producer: Matthew Toffolo http://www.matthewtoffolo.com
Director: Kierston Drier
Casting Director: Sean Ballantyne
Editor: John Johnson
Camera Operator: Mary Cox