Winning TV PILOT Screenplay Reading: Sector: 2814 (Green Lantern), by Jonathan Mabee

A Green Lantern TV Pilot staring Simon Baz, Earth’s first Muslim-American Green Lantern!


Agent Jones/Valder: Geoff Mays
Amanda: Pascale Behrman
Agent Smith/Fed: Shawn Devlin
Narrator: Val Cole
Simon: Chris O’Bray
Sira: Aliya Hamid
Arkillo: Biden Hall

Producer/Director: Matthew Toffolo

Festival Moderators: Matthew Toffolo, Rachel Elder

Casting Director: Sean Ballantyne

Editors: Kimberly Villarruel, Ryan Haines, John Johnson

Festival Directors: Rachel Elder, Natasha Levy

Camera Operators: Ryan Haines, Temitope Akinterinwa, Efren Zapata, Zack Arch


Genre: Crime, Mystery, Drama, Animation

A reinvention of the iconic television series. Think RIVERDALE.


Cass: Salma Dharsee
Velma: Courtney Keir
Daphne: Marissa Otto
Narrator: Elizabeth Rose Morriss
Shaggy: Hugh Ritchie
Fred: Isaiah Kolundzic
Officer Rogers: Allan Michael Brunet
Red: Zazu Oke

Get to know the writer:

1. What is your fan fiction TV PILOT screenplay about?

On the night before summer vacation, Fred’s dad is murdered by a serial killer. As Fred’s reeling from loss, Daphne, a cheerleader and lifelong mystery geek, enlists her estranged best friend Velma and Fred’s own cowardly stoner best friend Shaggy to track down the killer. The four of them, with Scooby-Doo in tow, work to unravel various mysteries, deal with bullying, and experience first love.

2. What genres does your screenplay fall under?

Mystery and CW-style teen drama

3. Why should this screenplay be made into a TV show?

What initially inspired this whole thing was an observation I had after years of consuming Scooby-Doo in various forms. I have never seen a scene in any of the television shows, books, comics, or the animated or live-action films where I believed Shaggy and Fred were friends. Not one. This is despite the fact that the two of them were inspired by best friend Dobie and Maynard from “The Many Loves of Dobie Gillis”. At its emotional core, I wanted to create a series that would eventually touch on the unique relationships between each of the members of Mystery Inc. because high school is such a vulnerable time when some kids feel like they live or die by those relationships and I had a special interest in exploring what a Fred and Shaggy friendship would look like.

Aside from that, I think now is a great time for a live-action Scooby-Doo television series as the success of Riverdale and the upcoming Sabrina the Teenage Witch spinoff have illustrated that there’s a definite market for this kind of interpretation. I also wanted to introduce a larger audience to Thorn and the Hex Girls who were first introduced in Scooby-Doo and the Witch’s Ghost and Red Herring, the bully from the criminally underrated A Pup Named Scooby-Doo.

4. How would you describe this script in two words?

Groovy murder

5. What movie have you seen the most times in your life?

Chasing Amy.

6. How long have you been working on this screenplay?

About three months off and on.

7. How many stories have you written?

I couldn’t give you an exact number, but I’m always writing! I’d say I have a decent bushel.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

I developed a deep fondness for “Everybody Knows This is Nowhere” by Neil Young while I was writing this. I must have listened to it a hundred times.

9. What obstacles did you face to finish this screenplay?

My biggest problem in finishing any screenplay is figuring out what to do when I hit a roadblock. I get really excited about an idea and then I can’t figure out how to move forward. Part of this, is that I’ve never done well with outlines. However, I’m very lucky because I have people in my life who were willing to read this script multiple times and give me great notes. I would not have been able to finish this silly script without their constructive criticism and support.

10. Apart from writing, what else are you passionate about?

I’m currently learning American Sign Language! It’s a really beautiful language and I think it’s fascinating that even though I’m from the country where it originated, I’ve rarely ever seen it since I’ve had little exposure to Deaf culture.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

It’s been fantastic! I use FilmFreeway all the time because it’s so convenient.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

Here’s the thing, while I was finishing my MFA last year, in a practice pitch session I blurted out something I never realized about myself – one of my wildest fantasies is being a writer on a Scooby-Doo project. I knew I had a Scooby-Doo story in me, but I didn’t want it just to sit on my computer and not go anywhere. When I came across this festival, I couldn’t have been more relieved that there were people out there that were actually interested in my insane, nerdy ramblings.

The feedback couldn’t have been nicer. I was directed gently away from my original idea of doing a 1960s period piece into something more modern and was given some truths about my tendency to overwrite. The script is all the better for it and I couldn’t be more grateful to the Fan Fiction Festival.



Producer: Matthew Toffolo

Director: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

DOCTOR WHO “The Time Cuckoo” by David Gilbank & Paul Renhard

Submit your Fan Fiction Screenplay to the Festival:

Watch the Fan Fiction Table Reading “The Time Cuckoo”


NARRATOR – Amaka Umeh
DOCTOR – Hugh Ritchie
AMY – Victoria Urquhart
NELSON – Julian Ford
VENTRILLIS – Sean Ballantyne
REGAZZA – Mohogany Brown
HARDY – Isaac Alfie

Get to know writers David Gilbank & Paul Renhard:

Matthew Toffolo: What is your Doctor Who screenplay about? 

David Gilbank & Paul Renhard: The Doctor is forced to kidnap Lord Nelson by an alien race who believe Nelson’s battle skills will help them win a war that has been raging for centuries.

Matthew: Where does this episode fit into the context of the series? 

David & Paul: It was written for Matt Smith and Karen Gillan. Although I’m pretty sure with a bit of tinkering, we could adjust to suit Doctors past and present.

Matthew: Your screenplay ends with a twist and a setup to a future conflict with the Doctor. Do you have episode 2 and beyond of your Doctor Who universe written or outlined? 

David & Paul: Not yet but it’s on our list of ‘things to do’. We’re currently in pre-production on a screenplay that we wrote about sport and love. That’s right a love story mixed up in a sport story. Think Rocky meets Pretty Woman and Love Actually. Or Slapshot in Love. Or something like that. We did it for the money.

Matthew: Who is your all-time favorite actor who played Doctor Who? 

David & Paul: Tough one – it would come down to Tom Baker or Jon Pertwee and we’d probably for Baker just because of The Seeds of Doom! Or Pertwee in the Planet of the Spiders. We did like Davis Tennant too.

Matthew: Who is your favorite non-Doctor character in the series? 

David & Paul: The Daleks. Every hero has to have his or her antagonists and the Daleks are just the best bad guys in fiction. Also liked Mike Yates, Sgt Benton and The Master (particularly Roger Delgado – Moriarty Deluxe). Also have to say I (Dave) loved the Tomb of the Cybermen. A beautifully written adventure with a claustrophobia akin to Alien (made some 10 years later). I love the way the old series (60’s and 70’s in particular) had to rely on storytelling to make up for the sparse FX and miniscule budgets.

Matthew: What TV show do you keep watching over and over again…besides Doctor Who?

David & Paul: The Tinker Tailor Soldier Spy TV mini-series – Alec Guinness as George Smiley. Perfect telly. I also loved Callan. Edward Woodward as a deadeye killer with a whiff of conscience was mesmerising. Loved the rebooted Battlestar Galactica. That story deserved to be re-made and those guys did it. Spectacularly written and wonderful acting. One of the best TV series ever made, scifi or other. I’m also re-watching The West Wing again. It’s like revisiting old friends. Aaron Sorkin has the IQ of Skynet.

Matthew: How long have you been working on this screenplay?  

David & Paul: About three months.

Matthew: How many stories have you written? 

David & Paul: Loads. We wrote a SciFi horror screenplay in 2010 called ‘Cull’ that won several screenwriting awards around the world. Think Soylent Green meets Alien. Its horrifying but a wild ride. We’ve also written several TV series, usually involving gangsters and aliens. We’ve just made a short film that is being well received. We’ve also written a ghost/horror screenplay which is currently doing well on the festival circuit.

Matthew: What motivated you to write this screenplay? 

David & Paul: We just love Doctor Who and the creative possibilities are infinite! We are ambitious writers and thought we could write something pretty exciting.

Matthew: What obstacles did you face to finish this screenplay? 

David & Paul: A 9 to 5 job and, clashing personalities. Fortunately Dave is pretty obsessive and is pretty driven to complete projects. Dave finishes. Paul rewrites. Dave changes it back. They argue. They don’t talk for a week. Paul changes it back, Dave sulks. Paul thinks he’s got his own way. Dave sneakily changes it without Paul knowing…and voila a perfect writing team.(I didn’t know you did that!) (Just joking) (Really?) (of course) (I knew it!) (here’s a bottle of Johnny Walker. Drink it now) (Ok, but I will be checking in future) (sure you will, Drink…drink…driiiiink) (I love you) (shut up).

Matthew: Apart from writing, what else are you passionate about?

David & Paul: We both love making films! So far we’ve only had the resources to make short films, but watch this space! Dave loves cricket, physics, Rugby League (Brisbane Broncos), Evolutionary archeology, history, carnivorous plants, digging holes and road rage. Paul likes writing and nothing else.

Matthew: What influenced you to enter the festival? What were your feelings on the initial feedback you received?

David & Paul: We’re always on the lookout for festivals to enter and this is the only one we know of that would let us enter a script based on an existing TV franchise. It’s always great to receive constructive criticism of your work, it’s the only way to make your writing better.

We accept we probably tried to cram too much into the episode, but we just couldn’t help it!

Matthew: Any advice or tips you’d like to pass on to other writers? 

David & Paul: We’re really not in a position to offer advice, as we’ve never had anything made, barring our own short films, which are of varying quality. However, the only sage advice is to write! Just start writing, anything. The more you write the better you get at it. We’re both advertising copywriters during the day and we’ve learned that anything down on the laptop screen is better than nothing at all. Also listening to music and listening to the voices in your head is good. Unless they tell you to rob a bank or overthrow the government.

Producer/Director – Matthew Toffolo
Casting Director – Sean Ballantyne
Editor – John Johnson






Watch HANNIBAL TV Show Original Screenplay Reading

Submit a classic TV show, movie series, or iconic franchise screenplay.

Watch the Original Performance Reading of HANNIBAL by Ibba Armancas


Hannibal Lecter’s attempts to leave the country are thwarted when Jack Crawford pulls him into a politically charged case that leaves children robbed of their hands, tongues, and eyes. Meanwhile, successfully framed for Lecter’s murders, Will Graham negotiates how much of himself he’s willing to compromise in order to get back at the man that destroyed his life.


NARRATOR – Becky Shrimpton
WILL GRAHAM – John Tokatlidis
JACK CRAWFORD – Donovan Hardy
MASON VERGER – Tyson Vines
ALANA BLOOM – Kassandra Santos
BLANCHE – Amanda Mona Weise

Get to know writer Ibba Armancas

1. Why is your episode just as good as the episodes written for the show?

Hannibal is a thematic, dark, and intelligent show that thrives, very literally, on the devil in the details. Like the best Hannibal episodes, “Honesuki” carries allusions both to the works of Thomas Harris, as well as the classical obsessions of Lecter. From the image of a shrike-gutted starling on B.H.C.I.’s chain-linked fence, to tableaux of living children made into caricature’s of Shakespeare’s Lavinia, to Harris’ famous maroon envelopes penned in Will’s hand instead of Hannibal’s, every scene in “Honesuki” not only connects to what has gone before it, but introduces fresh concepts and cultured horror.

Even the title is loaded with reference and metaphor. “Honesuki” pays homage to season two’s “Kaiseki” (which had only just been announced when the spec was written), but also foreshadows Will’s transformation from victim into predator. In season one, episode titles were based off French dishes, presumably alluding to people Hannibal killed, served, and ate. My season two concept was that all titles would be based on knives, and be representative of Will’s ascension from hunted to hunter, as well as Hannibal’s transformation from chef to butcher. Within the script itself, Hannibal uses a Honesuki while preparing fish (an animal commonly associated with Will), while having a conversation with Alana Bloom that not only introduces the Japanese influences of his past, but discusses ancient knife-making as a metaphor for what he has done to Will Graham, and why.

My spec stays true to the twisted flavors of the show, while introducing it’s own set of gruesome specifics. As the episode draws to a close and a noose begins to tighten around both the necks of Hannibal Lecter and Jack Crawford, “Honesuki” leaves readers shocked, satisfied, and anticipatory for what will happen next.

2. How long have you been writing screenplays?

I started writing screenplays in 2010, and have pretty much never stopped.

3. What movie have you seen the most in your life?

Honestly, probably The Lion King. As a kid, I wore out the tape. That, or The Secret of NIMH. As an adult probably Thank You For Smoking, Pan’s Labrynth, and Kiss, Kiss, Bang, Bang. I was always more of a reader than a watcher growing up, so while I do keep up with movies these days, I don’t tend to do a lot of repeat viewings unless a piece has a ton of nostalgia value or really moves me.

4. What artists would you love to work with?

Too many! I’m a writer/director, so I’ve got a list of actors as long as my arm that I’d be over the moon to work with. Idris Elba, Natalie Dormer, Gina Torres, Danny Pudi, James Callis, Enver Gjokaj, Christina Hendricks just to name a few, and of course, I think both Mads Mikkelsen and Hugh Dancy are absolutely phenomenal. As for directors, Steve McQueen, Quinton Tarantino, Joss Wheadon and Bryan Fuller; all for very different reasons.

5. How many stories/screenplays have you written?

I’ve written five feature screenplays (and a half), the Hannibal spec script, am in the middle of writing an original pilot, and have about twelve short scripts. When I was sixteen I wrote a pretty terrible novel, and a lot of self-indulgent science fiction. I always believed if I wrote enough quantity, eventually, I might end up hitting quality.

6. Ideally, where would you like to be in 5 years?

In a perfect, magical universe I’d love to be working as a show-runner, directing another feature film, or writing for groundbreaking television. I truly believe in the power of stories, and want a chance to bring as many of them into the world as possible.

7. Describe your process; do you have a set routine, method for writing?

I tend to write a detailed outline that includes character arcs, structure arcs, thematic arcs, and motifs, then sit down and bang out a ‘draft zero’ where all the flaws can percolate to the surface. Then I yammer someone’s ear off about it, shoot out a couple more drafts, rinse and repeat until the structure and characters read the way I want. Then I make a dialogue and prettification pass, get some actors/friends together for a read, and call it done. Nothing is ever as good as the first time I get to write ‘the end’ though.

8. Apart from writing, what else are you passionate about?

How to choose! Well, I was raised by a group of historical sword-fighters, so I’ve always loved history, battle theories, and how old-school political intrigue continues into the present. As I sci-fi nut, I also try to keep on top of Space X/NASA/space missions in general, and any theories or breakthroughs that might mean I can finally get that flying car or fight through that horrifically awesome dystopia. Physics of the Impossible by Michio Kaku is a favorite read of mine.

That said, people are probably my biggest passion. Everyone’s got a story, everyone has some sort of adventure to take you on, and getting to figure out who and why we all are is something I work on everyday.

9. What influenced you to enter the WILDsound Script Contest?

I saw the WILDsound contest literally on the last day to submit, which happened to be the day I finished the final draft of my Hannibal spec. If felt like kismet, so I did it.

10. Any advice or tips you’d like to pass on to other writers?

Never stop living. I know a lot of writers who get caught up in the minutiae of creating a perfect piece, and stop accruing new stories and the passion with which to feed them. If you can seek out the interesting stories in your own life, they can’t help but enrich your writing.