Read Best of Professional Costume Designer Interviews — WILDsound Writing and Film Festival Review

WILDsound Festival's avatarWILDsound Festival

Interview via Matthew Toffolo at http://www.matthewtoffolo.com Interview with Costume Designer Malgosia Turzanska (Maggie’s Plan) Chatting with Costume Designer Malgosia Turzanska was inspirational, educational, and fun! She’s a true talent and someone who is obviously in love with her job. Maggi To learn more about Maglosia, go to her website: http://www.turzanska.com Interview with Costume Designer Janelle Nicole […]

via Read Best of Professional Costume Designer Interviews — WILDsound Writing and Film Festival Review

View original post

Upcoming Writing Festival Deadlines (See Sept. 2016 Winners)

WILDsound Festival's avatarWILDsound Festival

Full Feedback on all entries. Get your screenplay, novel, short story, play, or poem performed by professional actors at the festival and then showcased online for agents, producers and the world to see. At least 30 winning performances a month. At least 10 films showcased at the festival a month.

Email us at info@wildsound.ca for any questions or inquiries.

RSVP for the Thursday Sept. 29 2016 Film Festival – 7pm to 9pm – Best of Documentary/Comedy Short Film Festival. Get your FREE tickets today.

RSVP for the Thursday Oct. 20, 2016 Film Festival – 7pm to 9pm – Best of Action/Crime Short Film Festival. Get your FREE tickets today.

FREE Logline Submission – Send in your logline and we’ll post it on this network for free.

Read Festival Articles – Daily festival blog.



TV CONTEST
FILM CONTEST
writing CONTEST
SCREENPLAY CONTEST

writing CONTEST
SCREENPLAY CONTEST

favorite scene
POETRY CONTEST

short script CONTEST
ACTOR

writing CONTEST
ACTOR


ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
ACTOR
Watch the 29 winning films, screenplays, and stories for April 2016
ACTOR
Watch the 21 winning films, screenplays…

View original post 51 more words

FEEDBACK TORONTO FILM FESTIVAL – Highlights from the Thursday September 20 2016 event.

WILDsound Festival's avatarWILDsound Festival

The theme of the SCI-FI/FANTASY SEPTEMBER 2016 FILM FESTIVAL was:
“WHAT IS REALITY?”.

Every film showcased on the night was about characters dealing with another reality besides our own.

This was a fantastic lineup of Sci-Fi short films. I can’t remember a better lineup of films geared towards a specific genre that was better than this one. These shorts were so solid, they could have all easily played at any major festival in and around the world (and some of them have!). They were more than simply being a Sci-Fi film.

These were films that simply told an emotional tale of real human beings dealing with the circumstances and conflicts in their path. The setting just happened to be in the Science Fiction genre.

This was also the first time in over 50 festivals that one film (Uncanny Valley) swept all of the festival awards. “Uncanny Valley” is just a…

View original post 166 more words

WILDsound Announces its Sept. 2016 Winning Feature Screenplays

WILDsound Festival's avatarWILDsound Festival

LAWN BOYS
Written by Steve Cleary

SYNOPSIS:

Genre: Screwball Comedy

When a pretentious ad man levels down to work on his best friend’s landscaping crew, he must sharpen his new skills in order to prevent a rival lawn service from ruining their hometown’s natural beauty with artificial grass.
CAST LIST:

NARRATOR – Steve Rizzo
STEVE – Kaleb Alexander
SUNNY – Heather Dicke
MIKE/BRIAN – Steve Mitchell
MUNGO – John Fray
HEIKO – Dan Cristofori
RIPPY – Randy Baumer
VARIOUS – Norma Dawn Dunphy

****

LUCIDAE
Written by Jacqueline Marett

SYNOPSIS:

Genre: Sci-Fi, Adventure, Fantasy

LUCIDAE is an epic action packed romp about supernatural contact with another world. There are no space ships or robots – this is a sci-fi story that has more to do with ancient unified beliefs in Astral travel, dream walking and out of body experiences – what limits could space and time have in this kind…

View original post 44 more words

WILDsound Announces its September 2016 1st Scene Script Winners

WILDsound Festival's avatarWILDsound Festival

Submit your First Scene to the Festival: http://firstscenescreenplay.com

Watch the September 2016 1st Scene Script Winners:

VOODOO LOVE
Written by Frederick Julius

SYNOPSIS:

Genre: Drama, Romance, Crime

A black-hearted vixen lures an ambitious hustler into her mansion as he seeks out a forbidden love. When merciless thugs come to rob and kill, it’ll cost him his fortune to save her lost soul.

CAST LIST:

NARRATOR – Steve Rizzo
TUCKA – Kaleb Alexander
DAMIEN – Randy Baumer
MR. KING – Steve Mitchell
EL TORRO – John Fray
ASIA – Heather Dicke
CASSANDRA – Norma Dawn Dunphy

*****

OLD BONES
Written by Dermott Hayes

SYNOPSIS:

Genre: Fantasy, Crime, Drama

We lose our soul when we bury the dead without dignity and for the sake of manna. Two brothers are caught in a dilemma of conscience, to lose their jobs or their souls.

CAST LIST:

NARRATOR – Steve Rizzo
COSTELLO – Steve Mitchell
SEAMUS…

View original post 97 more words

WILDsound Announces its September 2016 Best Scene Script Winners

WILDsound Festival's avatarWILDsound Festival

Best Scene from 3 FAMILIES Screenplay
Written by J.D. Poland

SYNOPSIS:

Genre: Romantic Comedy

At its heart, it’s about unselfish love along with the challenges of cultivating integrity and bravery, given internal limitations and external pressures.
CAST LIST:

NARRATOR – Julian Ford
FIONA – Alicia Payne
VIRGINIA – Katelyn Varadi
PAUL – Peter Mark Raphael
THOMAS- Nick Hendrick Wicht
VINCENT – Kheon Clarke

****

Best Scene from LOONATOONA Screenplay
Written by Shockadelic

SYNOPSIS:

Genre: Surreal comedy, with fantasy and romance elements.

An Australian family of four experiencing a surreal-to-us, normal-to-them day (or four-days-in-one).

CAST LIST:

NARRATOR – Julian Ford
SUSAN – Katelyn Varadi
COWBOY – Peter Mark Raphael
GUIDE DOG STATUE – Nick Hendrick Wicht

***

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson

View original post

September 2016 Fan Fiction Screenplay Winner

Watch the September 2016 Fan Fiction Screenplay Winner. 

Submit your Fan Fiction Screenplay to the Festival: https://fanfictionfestival.com/

Fan Fiction: VIGILANTE: The Origins of Casey Jones (TMNT) by Justin Prince

SYNOPSIS:

Genre: Action, Crime, Thriller

After an injury put a halt to his plans of playing hockey in the NHL, Casey Jones doesn’t believe life can get much worse. He soon finds out just how wrong he is. Faced with a tragedy Jones takes justice into his own hands, becoming a hockey mask wearing vigilante. (Based on the character from Eastman and Laird’s Teenage Mutant Ninja Turtles).

CAST LIST:

NARRATOR – Steve Rizzo
CASEY – Randy Baumer
BOSS – Dan Cristofori
HUN – Steve Mitchell
CRISTO – John Fray
VAN – Kaleb Alexander
APRIL – Norma Dawn Dunphy

Get to know the writer:

What is your screenplay about?

My screenplay works as a retelling of the origin story of Casey Jones, the hockey masked vigilante of Teenage Mutant Ninja Turtle’s fame. The story reveals who Casey is as a person and what events push him to take on his crime-fighting persona.

What genres does your screenplay fall under?

I would describe it as a graphic action/superhero film.

Why should this screenplay be made into a movie?

Casey Jones is one of the most popular characters from the TMNT universe outside of the four turtles themselves. This script really just gives you an idea of who Casey Jones is, the hardships that shaped him and how he develops into the vigilante that goes on to become one of the turtle’s most trusted allies.

How would you describe this script in two words?

Gritty & fun.

What movie have you seen the most times in your life?

I’m not sure; there are a lot of movies I revisit, including the original 1990s live action TMNT film. But, the film I’ve probably watched the most in my life is probably “Raging Bull.”

How long have you been working on this screenplay?

I have been a TMNT fan my entire life but as I got older I began to identify more with Casey Jones than I did the turtles themselves. So I’ve been conceptualizing the script for a long time I’d say. But, it wasn’t until after the most recent TMNT film was released that I began to really sit down and outline the story. The TMNT of the comics are actually really dark and gritty with Casey Jones being one of its darkest and most gritty characters. I really wanted my script to reflect the comic universe more so than any of the film incarnations of the TMNT have.

How many stories have you written?

Oh, I could never put a number on it. I’ve been writing stories since I was a little kid. I’ve always enjoyed storytelling and have told stories in almost every format you can tell one in. As far as scripts go this is my fifth short script. I’m also currently working on the screenplay a feature length film.

What motivated you to write this screenplay?

I just really wanted to tell a story within the TMNT universe but tell it in a way that reflected the comics more so than the cartoons. The original TMNT comics are really quite a contrast from the other forms of TMNT media; they also started as a parody of the superhero genre. I wanted to bring the grittiness of the comics to life in a script and I also wanted to have that element of parody. So here that element comes with Casey’s obsession with action films and his penchant for quoting them in battle.

What obstacles did you face to finish this screenplay?

The biggest obstacle was writing the action sequences. I haven’t ever really written any significant action sequences for a screenplay before and this one has several of them. So figuring out how to write them in a way that conveyed what I envisioned along with the pacing I had in mind was really something I had to experiment with to figure out.

Apart from writing, what else are you passionate about?

I’m really passionate about all aspects of film. Lately, I’ve really began to delve into editing and learning the way that editors tell a story or alter how a story is told.

Any advice or tips you’d like to pass on to other writers?

My biggest tip is embracing the rewriting process. So many people like to write, but they don’t like to rewrite. You have to learn to love rewriting, especially if you’re going to choose to write screenplays.

***
Director/Producer: Matthew Toffolo

Casting Director: Sean Ballantyne

Editor: John Johnson

August 2016 Fan Fiction Screenplay Winner

Watch the August 2016 Fan Fiction Screenplay Winner. 

Submit your Fan Fiction Screenplay to the Festival: https://fanfictionfestival.com/

THE MASK OF LEIA
by Ian Wilson

SYNOPSIS:

Genre: Action, Adventure, Sci-Fi

Following the Battle of Endor and the defeat of the Empire, Leia secretly struggles with her own ongoing internal battle with the Force.

CAST LIST:

NARRATOR – Becky Shrimpton
LEIA – Laura Darby
EMPEROR – Stephen Flett
HAN SOLO – David Straus
ACKBAR – Rais Muoi

Get to know the winner writer: 

1. What is your fan fiction screenplay about?

The Mask of Leia is a thought-provoking drama that explores the hidden psyche of Princess Leia. It aims to prompt the viewer into thinking about the trauma that Leia has undergone through the Star Wars story and what her internal struggles from dealing with all that suffering might be.

By all rights, Leia should be a total basket-case or at least have severe PTSD but she has managed to mask these personal struggles from everyone around her, including Han Solo. The script also explores the potential of her being Force-sensitive and keeping this hidden, perhaps for political reasons.

How does this screenplay fix into the context of the Star Wars universe?

The story takes place just after the Battle of Endor (Star Wars: Episode VI -The Return of the Jedi) and the defeat of the Empire.

Leia and Admiral Ackbar lead the Rebel forces to the planet Coruscant to secure the New Republic. It is during this journey that we see Leia secretly struggle with her trauma and her ongoing internal battle with the Force.

How would you describe this script in two words?

Hidden backstory.

What TV show do you keep watching over and over again?

I’m a Dr. Who fan. I have been since I was about five years old. I
love watching the current Doctor, Peter Capaldi, because I went to school with him and we were in the same theatre company together as teens in Glasgow, Scotland. He used to play Dr. Who in the school playground and he was a natural at it then. I was not surprised that he got the role as Doctor Who.

5. How long have you been working on this screenplay?

The story was sketched out over a couple of days between film
director, David Connellan, and myself. It then took me about three weeks to achieve the final draft.

6. How many stories have you written?

In terms of screenplays, I have written five stories – two features and three shorts. I am currently, writing my third feature, which is a thriller/horror.

7. What motivated you to write this screenplay?

I have always been a Star Wars fan from the very first time I saw that iconic Star Wars roll-up. So, when my friend and director, David Connellan, asked me to write a screenplay for a Star Wars short I jumped at the chance. Writing the roll-up to this story was fun.

8. What obstacles did you face to finish this screenplay?

The goal was to come up with a five-minute screenplay – about five pages. Trying to capture the whole of Leia’s trauma into just five minutes was very difficult. My initial draft was close to twelve pages and the final draft was around eight pages. Cutting out some great scenes and dialogue was tortuous. Sadly, cutting it down further for a five-minute film meant a lot of sacrifices in the overall story, including the iconic roll-up.

Apart from writing, what else are you passionate about?

Travel. In my view, travel has been my greatest teacher. It has
allowed me to experience and understand people and cultures across so many countries. Travel has helped me realize that while we are all members of the same small planet and there are also more ways to live than just the one we have been born into.

Travel is experiential and visual and for me that helps me in my
screenwriting, which is very much about creating a visual experience.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The Fan Fiction Festival is a well renowned festival and platform for fan fiction and fan films. Entering the Festival was a “must-do” for me. In the Fan Fiction Festival, I love how engaged fans can be in developing their own derivatives of the original stories. It’s a form of organic creation that deserves more credit.

The feedback I received from the festival was very useful in tightening the story. I certainly appreciated this. The only advice I didn’t feel comfortable with was to develop more character for Han Solo. I felt that would have detracted from Leia’s story.

Any advice or tips you’d like to pass on to other writers?

I like to start with “what if” questions to get a story going. The concept of The Mask of Leia is a good example. What if Leia has PTSD and is being internally pulled by the dark and light side of the Force? Think about that question and you have all sorts of ideas for a story.

Write with passion and don’t be afraid to go with your gut when writing a story. If you let others get involved and question your story concept early in the process it will most likely upset your creativity and your story will turn out half-assed. Of course, listen to feedback once you’ve completed that first and subsequent drafts as feedback will help refine and improve the story.

Finally, I’d say that make sure that you develop engaging characters.

Such characters are distinct, likeable (or loathsome) and have a strong motivation. Ultimately, these characters do not ride along with the flow of the story, rather they create the direction of the story.

***
Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson

July 2016 Fan Fiction Screenplay Winner

Watch the July 2016 Fan Fiction Screenplay Winner. 

Submit your Fan Fiction Screenplay to the Festival: https://fanfictionfestival.com/

Star Trek Deep Space Nine: Power Loss by Jennifer Renner

SYNOPSIS:

Genre: Sci-Fi, Adventure, Action, Fantasy

Synopsis: Episode 32.5 of the TV series Star Trek: Deep Space Nine. The station welcomes visitors from a planet in the Gamma Quadrant that allows only women to hold positions of authority.

CAST LIST:

NARRATOR – Brandon Knox
BENNI – Susan Wilson
SORYA/KIRA – Meghan Allen
DAX/LELA – Courtney Keir
ODO – Julian Ford
BASHIR/QUARK – David Guthrie
SISKO/RISHTA – Sean Ballantyne

Get to know the winning writer Jennifer Renner

1. What is your TV Fan Fiction screenplay about?

Deep Space 9 welcomes visitors from a planet in the Gamma Quadrant that only allows women to hold positions of authority.

2. Why does this episode fit into the context of the show?

The episode uses a futuristic setting and the unique perspectives of the characters to discuss a social issue. One of my favorite things about the whole Star Trek phenomenon was the ability to look at potentially controversial issues under a new and intriguing light.

3. How would you describe this script in two words?

Existential exploration.

4. What TV show do you keep watching over and over again?

Star Trek: TNG

5. How long have you been working on this screenplay?

I worked on this screenplay for about three months.

6. How many stories have you written?

I’ve written many short screenplays and three feature length screenplays.

7. What motivated you to write this screenplay?

I love the different personalities in DS9. The topic of gender has been in the spotlight recently and using the voices of DS9 seemed a good way to explore this issue.

8. What obstacles did you face to finish this screenplay?

I don’t have much experience writing for TV, so that was fairly new to me. I also wanted to do justice to the Star Trek universe and it is a complex place to navigate. Use the term “warp coil” when you specifically mean “warp nacelle” and you’ve lost all credibility.

9. Apart from writing, what else are you passionate about?

All things film! From theory to shooting and editing, to just a lot of viewing, I enjoy it all.

10. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

I was excited about the prospect of receiving feedback to improve my writing. The feedback I received offered many helpful suggestions, both in terms of my writing in general and as a piece in the DS9 universe. I’m definitely glad I entered this festival.

11. Any advice or tips you’d like to pass on to other writers?

Although I don’t feel qualified to give advice, I would say to try writing as many different types of works as you can. From one-act plays to feature screenplays to poetry to just a really well-written email, there are so many ways to express yourself well through writing.

*****

Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Editor: John Johnson

Casting Director: Sean Ballantyne

Fan Fiction Screenplay – The Mask of Leia by Ian Wilson

Watch the August 2016 Fan Fiction Screenplay Winner.

THE MASK OF LEIA
by Ian Wilson

SYNOPSIS:

Genre: Action, Adventure, Sci-Fi

Following the Battle of Endor and the defeat of the Empire, Leia secretly struggles with her own ongoing internal battle with the Force.

CAST LIST:

NARRATOR – Becky Shrimpton
LEIA – Laura Darby
EMPEROR – Stephen Flett
HAN SOLO – David Straus
ACKBAR – Rais Muoi

Get to know the winner writer: 

1. What is your fan fiction screenplay about?

The Mask of Leia is a thought-provoking drama that explores the hidden psyche of Princess Leia. It aims to prompt the viewer into thinking about the trauma that Leia has undergone through the Star Wars story and what her internal struggles from dealing with all that suffering might be.

By all rights, Leia should be a total basket-case or at least have severe PTSD but she has managed to mask these personal struggles from everyone around her, including Han Solo. The script also explores the potential of her being Force-sensitive and keeping this hidden, perhaps for political reasons.

How does this screenplay fix into the context of the Star Wars universe?

The story takes place just after the Battle of Endor (Star Wars: Episode VI -The Return of the Jedi) and the defeat of the Empire.

Leia and Admiral Ackbar lead the Rebel forces to the planet Coruscant to secure the New Republic. It is during this journey that we see Leia secretly struggle with her trauma and her ongoing internal battle with the Force.

How would you describe this script in two words?

Hidden backstory.

What TV show do you keep watching over and over again?

I’m a Dr. Who fan. I have been since I was about five years old. I
love watching the current Doctor, Peter Capaldi, because I went to school with him and we were in the same theatre company together as teens in Glasgow, Scotland. He used to play Dr. Who in the school playground and he was a natural at it then. I was not surprised that he got the role as Doctor Who.

5. How long have you been working on this screenplay?

The story was sketched out over a couple of days between film
director, David Connellan, and myself. It then took me about three weeks to achieve the final draft.

6. How many stories have you written?

In terms of screenplays, I have written five stories – two features and three shorts. I am currently, writing my third feature, which is a thriller/horror.

7. What motivated you to write this screenplay?

I have always been a Star Wars fan from the very first time I saw that iconic Star Wars roll-up. So, when my friend and director, David Connellan, asked me to write a screenplay for a Star Wars short I jumped at the chance. Writing the roll-up to this story was fun.

8. What obstacles did you face to finish this screenplay?

The goal was to come up with a five-minute screenplay – about five pages. Trying to capture the whole of Leia’s trauma into just five minutes was very difficult. My initial draft was close to twelve pages and the final draft was around eight pages. Cutting out some great scenes and dialogue was tortuous. Sadly, cutting it down further for a five-minute film meant a lot of sacrifices in the overall story, including the iconic roll-up.

Apart from writing, what else are you passionate about?

Travel. In my view, travel has been my greatest teacher. It has
allowed me to experience and understand people and cultures across so many countries. Travel has helped me realize that while we are all members of the same small planet and there are also more ways to live than just the one we have been born into.

Travel is experiential and visual and for me that helps me in my
screenwriting, which is very much about creating a visual experience.

What influenced you to enter the festival? What were your feelings on the initial feedback you received?

The Fan Fiction Festival is a well renowned festival and platform for fan fiction and fan films. Entering the Festival was a “must-do” for me. In the Fan Fiction Festival, I love how engaged fans can be in developing their own derivatives of the original stories. It’s a form of organic creation that deserves more credit.

The feedback I received from the festival was very useful in tightening the story. I certainly appreciated this. The only advice I didn’t feel comfortable with was to develop more character for Han Solo. I felt that would have detracted from Leia’s story.

Any advice or tips you’d like to pass on to other writers?

I like to start with “what if” questions to get a story going. The concept of The Mask of Leia is a good example. What if Leia has PTSD and is being internally pulled by the dark and light side of the Force? Think about that question and you have all sorts of ideas for a story.

Write with passion and don’t be afraid to go with your gut when writing a story. If you let others get involved and question your story concept early in the process it will most likely upset your creativity and your story will turn out half-assed. Of course, listen to feedback once you’ve completed that first and subsequent drafts as feedback will help refine and improve the story.

Finally, I’d say that make sure that you develop engaging characters.

Such characters are distinct, likeable (or loathsome) and have a strong motivation. Ultimately, these characters do not ride along with the flow of the story, rather they create the direction of the story.

***
Director/Producer: Matthew Toffolo http://www.matthewtoffolo.com

Casting Director: Sean Ballantyne

Editor: John Johnson