fan fiction

Movie Review: THE DARK KNIGHT RISES (2012)

WILDsound Festival batman, fan fiction, Fan Fiction Movie Review, Movie Review, movies, Uncategorized , , , , , ,

Submit your Fan Fiction Screenplay to the Festival: http://fanfictionfestival.com

the_dark_knight_rises_poster.jpgReviewed 1 week before the film premiered in 2012

THE DARK KNIGHT RISES

MOVIE REVIEW:
Review by Joshua Starnes

SYNOPSIS:

Eight years after the Joker’s reign of anarchy, the Dark Knight is forced to return from his imposed exile to save Gotham City from the brutal guerrilla terrorist Bane with the help of the enigmatic Selina.

REVIEW:

So let’s get the obvious out of the way up front. No, it’s not as good as “The Dark Knight.” That said, “The Dark Knight Rises” is probably as good a follow-up as you could reasonably expect, providing everything you could possibly want from a Batman film.

Except that it’s not really a Batman film, though he is inextricably bound up in it. More so than any of the previous installments, “The Dark Knight Rises” is an ensemble film that just often includes Batman (Christian Bale) but just as often doesn’t, spending large amounts of time with the investigations of young cop John Blake (Joseph Gordon-Levitt), the machinations of hulking villain Bane (Anne Hathaway) or the crimes of cat burglar Selina Kyle (Anne Hathaway).

But, if Batman is not always readily present in “The Dark Knight Rises” it is always about him in a way none of the other films in the series has been, examining the reasons for his existence and asking hard questions about whether they’re strong enough that he needs to stay around forever.

We pick up the action eight years after the events of “The Dark Knight” and time has not been kind to Bruce Wayne. The years of jumping from rooftops and onto moving cars have irrevocably damaged his body to the point where he needs help from hi-tech leg bracers to do more than limp. His sacrifice has helped bring Gotham to a point of general peace, however, and Wayne and his alter-ego have gone into general seclusion. That is until a beautiful cat burglar breaks into his home to steal his fingerprints, gradually seducing him back into the world crime and criminals once again.

There is a stark and unglamorous undercurrent to “The Dark Knight Rises” as it asks difficult questions about, among other things, accepting the eventual consequences of your life and dealing with the realization that you can’t really go home again. Bale, who has grown immensely as an actor even since “The Dark Knight,” has always presented something a flawed Batman, a talented man who is prone to not giving his enemies enough credit due to the extent of skills, nor of seeing his own weaknesses. His older, broken Bruce Wayne is a man desperate to prove to himself that he is still the man he was, and refusing to admit that might not be the man he should be anymore.

As good as he is, he is nearly upstaged by Hardy’s Bane, a hulking wall of a man with patience and cunning to match who is willing to do whatever it takes to succeed, including nearly being thrown out of a plane. With a mask covering much of his face, Hardy’s performance is largely body language and silky voice control, but he makes the most of it, commanding his scenes. That said, with the deep voice, the slow menace and the breathing sounds, it’s often hard not to think about Darth Vader when he’s around and for all his strength’s he lacks a little in originality.

The rest of the supporting cast is nearly as good, though they benefit from a script (from director Christopher Nolan and brother Jonathan, based on a story by Nolan and David Goyer) that focuses on character as much as action and plot, giving everyone a moment to shine. Part of that is the sprawling length of the narrative, which allows major characters to disappear for long periods of time without losing to much in the way of presence in the film. Commissioner Gordon and loyal butler Alfred, in particular, only figure in about half of the film, and yet they always feel like they’re around. Even the new women in Bruce’s life, cat burglar Selina and wealthy business woman Miranda (Marion Cotillard) come and go as the plot dictates, making the best of the moments they do get.

As Bruce continues investigating what the beautiful Selina is up to and how she may be tied up with a dirty businessman on the Wayne Enterprises board of directors, he gradually becomes aware of wheels within wheels moving around him, particularly once a daring daylight raid on the Gotham Stock Exchange causes him to lose most of the vast resources he has taken for granted for so long. In typical Bruce fashion he continues to barrel along, heading straight for a headlong confrontation with Bane without bothering to stop and think if he is really the man he used to be.

Ultimately, and not surprisingly, “The Dark Knight Rises” belongs to its director, not its actors or characters. All of Nolan’s great screen interests are here as he fuses his themes about facing fear and human nature with his great love of science fiction devices and twisty crime plots. Bane’s exact plan is labyrinthine and there are hints of a man behind the man in his backstory who is actually pulling the strings. “The Dark Knight Rises” is steeped not just in general Batman mythology but within its own, calling back to each of the previous films but particularly “Batman Begins” as the choices of Bruce’s past come back to haunt him.

The end result is exquisitely crafted, with everything we deserve from action films but seldom get, even if it is not quite as relentlessly entertaining as “The Dark Knight Rises.” The sheer length and breadth of its scope often robs the film of inertia, particularly during the climax which comes along suddenly before quickly shifting gears. And for all the excellent work done by all the actors, particularly Gordon-Leavitt as a young cop representing Bruce’s youthful idealism, Batman’s own frequent absence from his own film is noticeable.

What flaws “The Dark Knight Rises” has are few and far between, with most of it hitting the just the right note as it prances between the darkest depths and the most hopeful highs like a cat on a hot tin roof. There is a definite feeling of The End throughout that perfectly fits “The Dark Knight Rises” and allows us to look over what flaws it does have. This should be the blueprint for summer spectacle. You can keep your “Transformers,” I’ll take “The Dark Knight Rises.”

Submit your Fan Fiction Screenplay to the Festival: http://fanfictionfestival.com

Movie Review: BATMAN BEGINS, 2005

WILDsound Festival batman, fan fiction, Fan Fiction Movie Review, movies, Uncategorized , , , , ,

Submit your Fan Fiction Screenplay to the Festival: http://fanfictionfestival.com

BATMAN BEGINS MOVIE POSTERBATMAN BEGINS, 2005
Movie Reviews

Directed by Christopher Nolan
Starring: Christian Bale, Michael Caine, Gary Oldman, Liam Neeson, Morgan Freeman, Katie Holmes, and Cillian Murphy
Review by Andrew Kosarko

8.3/10 on IMDB fan rating.

Read More Professional Reviews

SYNOPSIS:

Director Christopher Nolan tackles the challenge of re-starting the Batman franchise by delving into a physiological take on the Caped Crusader’s origin story that had never been fully realized in the comics. His approach involved an all star cast lead by Christian Bale as Bruce Wayne/Batman and takes a realistic approach in explaining how and why a billionaire would dress up like a giant bat and take on the underworld of crime.

REVIEW:

I am a Batman fan. I’m pretty passionate about it I’d say, but by no means as crazy as some of the other fans. I’ve read a good portion of the “good” Batman comics. And by good, I mean a mixed bag of stories from the start of his career all the way through today’s latest graphic novels. This film, kicks Superman: The Movie’s ass. Hands down. Now, that’s not being bias I assure you. Batman Begins has the edge of modern day film making technology, but that’s not what makes these films great. Characters and stories that are loyal to the source material are the reasons why Superhero films stand a cut above the rest. If the little cartoon drawings and funny books can make people so obsessed that they are emulate them to the point that they spend thousands of dollars on costumes worn on days other than Halloween, then you know there’s something there. Batman Begins showcases those reasons perfectly and opened up the comics world to what us fan boys call “normies.” I’m going to give a nutshell review in a single sentence right here: See this movie. Now the reason I do this, is because Christopher Nolan is notorious for being a master of “twist endings” and this film has unexpected turns every 5 minutes. So if you haven’t seen it yet, it’s worth a look. The rest of the review will contain spoilers that will essentially ruin the biggest twists of the film so tread carefully.

The Story: Structure is one of the most important things in storytelling. It isn’t always the what, the who and the how that are important. This story demonstrates all of those and still hits the appropriate marks when things should happen. Almost everyone and their sister know how and why Bruce Wayne becomes Batman. His parents get shot in an alley way in front of him as a child. Wait…1989’s Batman covered that but kind of left the whole “bat” thing in the dust. And they also forgot about why Bruce feels like he has to protect other people by some means other than donating money to the police force of the city. This film, however, nails it perfectly. His parents are in the alley way because of Bruce’s fear of bats, thus he feels responsible for their deaths. The police force, sans Jim Gordon, is corrupt and doing a poor job at helping things, and furthermore, the good who want to make a stand are being intimidated by a crime boss who owns the city. It gets to the point where Bruce decides “enough is enough.” To start his journey, he travels the world and infiltrates criminal organizations as a foot soldier so he can understand their mentality.

This leads him astray as he succumbs to his anger and resorts to just surrounding himself with criminals and beating them senseless without affecting any real change other than his own personal feelings. It is at this point where the story introduces “Ducard” who offers Bruce a chance to become a leader and use his anger to make real changes in the world. Bruce, lost and willing to take any encouragement he can get, joins The League of Shadows, an underground ninja cult dedicated to the eradication of corruption throughout the world. A master named Ras Al Ghul, who instructs Ducard in training his army, leads the cult. Bruce studies and trains for months, while Ducard grooms him to be his greatest student. As the time approaches to face his final test, Bruce falls back on the philosophy of his closest family and friends from back home as his own self standards. Ducard, upset that Bruce will not execute a criminal offers him an ultimatum: Kill or be killed. Bruce stands by his decision and turns against his mentor, fights off Ras Al Ghul and burns the temple to the ground. And yet, amongst Ras Al Ghul’s accidental death from falling lumber, Bruce still manages to save his unconscious mentor and leave him to a local villager for care. The story then shifts gears and goes back to Gotham, highlighting Bruce’s creation of Batman. All the bases are covered from how he makes the suit, acquires gadgets and forges alliances. After a few scuffles with The Scarecrow, Bruce is re-introduced to his former mentor, Ras Al Ghul, who was really Ducard all along. This return of the villain sets the precedent of Bruce’s problem of not killing his enemies and having them return to cause more problems. The film ends with a climatic battle between two heroes of different ideals and a tease of what’s to come that’s so good, I still get goosebumps thinking of the final Batman / Gordon rooftop moment.

Acting: Christian Bale – Bruce Wayne / Batman: The character is so complex and multi layered that this film finally captures the 3 separate personalities that Batman is. He’s the tortured orphan, the play boy billionaire farce, and the driven and animalistic (and pissed off) Dark Knight avenger. Bruce is not only complex, but never boring and never outshined by his villains in this film, as it should be. His views and actions are much different than other heroes and it’s great to see a film that showcases that.

Michael Caine – Alfred: Taken to a new level in these films, Alfred is no longer just the comic relief and someone to have Bruce spew out exposition to. No, he’s a moral guide that keeps Bruce in check when he over steps lines and does his best to be a surrogate father and raise Bruce in the vain that his father wanted.

Gary Oldman – Jim Gordon: Alright. Time for me to be bias for once. Gary Oldman is the man. No, he IS the man. The greatest actor of our time and I feel as though because he’s not some teen beat “Brad Pitt” cover model that he is often overlooked. Gordon, while having limited screen time, is used to the best of his ability and is no longer a bumbling, incompetent man who relies on Batman for everything from cleaning up Gotham to flying through giant question marks in the sky. He is a man torn between his personal morals and the changes he can make with both hands tied behind his back.

Liam Neeson – Ducard / Ras Ahl Ghul: The film respectfully neglects an aspect of the characters comic mythos, which is the best way to do it. The character encompasses the same beliefs without the Lazuras Pit, a sci-fi twist in the comics that allows the character to rejuvenate his body but causes him to go temporarily insane. Instead, the film dances around the idea but never directly (or indirectly for that matter) claims that such a chemical exists. The character is much stronger because he is a personal reflection of Bruce Wayne and helps to contrast the two of them, making them both more interesting. Ras is ruthless in his beliefs, as is Bruce, and the disagreement between them is the core relationship of the characters. Thus, the plot is largely based around their opposing ideals creating a perfect story that keeps an audience interested and entertained.

Katie Holmes – Rachel Dawes: An original character created by the storytellers, Rachel is understandably the weakest character in the film as she is basically there for women to identify with (though, I’m not sure I know many women who liked her character that much). Although many critics and fans like to rip on Katie because of her “Dawson’s Creek” past, seeing her as a actress muscled into the film by WB Execs, I stand by my point of view that she did the best she could with the role and was actually quite likeable. Granted, standing next to Christian Bale, Gary Oldman, Sir Michael Caine, Liam Neeson, Morgan Freeman, Cillian Murphy and Tom Wilkinson she doesn’t stand that much of a chance to shine with the role she’s given. However, if you don’t think Katie Holmes can be a great actress – I strongly recommend that you see a film called “Pieces of April” where she proves that she can act her way out of a paper bag.

Morgan Freeman – Lucius Fox: Not given all that much of a purpose, other than to be Bruce Wayne’s “Q”. But still does a fine job is bringing some humor to the film and keeping some nods to comic book fans.

Tom Wilkinson – Carmine Falcone: Wilkenson’s Italian accent threw me off a bit at first but it’s since grown on me in the 82 subsequent viewings of this film. Falcone is a man who represents everything Bruce is trying to stop. He corrupts, murders, steals and hurts so many to the point that it’s crushing the city. Also, another lovely nod to comic book fans of “The Long Halloween.”Batman Begins PIC

Cillian Murphy – Jonathon Crane/ Scarecrow: Magnificent. I only wish his role had been larger. Cillian was a perfect choice for the spineless (pun intended) Scarecrow. While he is pretty much a 2nd rate villain throughout, he still holds a threat level that makes you sit up in your seat every time he’s on screen.Directing: Christopher Nolan is comic book movie God. I’m sorry, he is. Robert Rodriguez came close with Sin City, as did Zack Snyder with 300, but Nolan not only translatedcomic book literature to film, he added to it. The mythos of Batman has been forever changed because of the film and not many people can do that to a character who’s been around for over 60 years. And then furthermore, when you see films of this genre, the audience knows a lot more than they should. They know Lois Lane will never die because Superman will always save her. Yet, in this film, the final train fight between Batman and Ras had me sitting on the edge of my seat worrying about whether or not Batman would save the city. That, my friends, is damn good storytelling.

Cinematography: Wally Pfister does a fantastic job of photographing the film. It’s crisp, it’s clear and it shows you what you need to see to get the emotion across if not the plot. The only criticism that I can agree with is the coverage of the fight scenes being shot so close. For the initial reveal of Batman it works, but as the film goes along it becomes annoying as the audience is dying to just sit back and watch Batman kick all kinds of ass. The close up shots exceed in creating an impact level that returns fights to a much more violent and threatening place.Batman Begins PIC

Production Design: Gritty, grimy and the way Batman should be. The city is decaying without someone standing up for it and so Batman’s sleek technology is a kick in the face of the crime and is a very artistic way to showcase Batman’s contrast to his city at this point of battle with his war on crime.

Editing: Ok, this is my biggest overall qualm with this film. I hate the editing. Nolan is notorious for having a “fragmented” way of storytelling. Which is fine. It cuts out the boring parts of the story, but physical continuity cannot be ignored as it is so much. Shots are so fragmented at some parts that it takes you out of the film because you feel like you missed something. Shots come off as random and unsupported, almost as if you were watching a documentary.

Score: Danny Elfman made the Batman theme. There is no topping that in Batman. It’s the equivalent to Christopher Reeves as Superman. It just don’t get any better than that. Sorry folks. BUT, Hans Zimmer and James Newton Howard give him a run for his money. The score is strong and uplifting. It matches the mood and tones of the film and it’s scenes and conveys the right emotions while still being memorable. Although Batman is never given an official “theme”, when the “bat flap” sound effects are heard with the mighty banging of the drums…..you know who the music is for. I remember seeing the trailer for the first time and hearing a piece of the score from Begins, looking to my mother and saying “Is this a new Batman?” and she replied, “They don’t make those anymore thank God.”

Special Effects: There were special effects in this movie? I didn’t notice. Nolan is a true film maker. He never skimps on the real live action things, implementing CGI and visual effects only when absolutely necessary. Mostly he uses green screen for background plates that you would never notice (See: Windows during train fight). Everything is top notch in every stunt and completely believable.

In closing: Batman Begins is an art film disguised as summer block buster. Everything serves the story and helps to establish great characters in a believable world, while still pushing the boundaries into fantasy. Fear Toxin and a machine that evaporates water around it (but oddly enough makes no impact on the 80% made of water human bodies around it) are so forgivable that you’ll fall prey to the great story and characters that are hidden within it. If you haven’t seen it, give it a chance. If you have seen it, go watch it again. You know it’s just that damn good.

 

Submit your Fan Fiction Screenplay to the Festival: http://fanfictionfestival.com

Watch the Batman Table Readings from the Fan Fiction Festival

WILDsound Festival batman, COMIC BOOK Screenplay Festival, fan fiction, feature screenplay, genres, performance, screenplay festival, short screenplay, table reading, thriller, Uncategorized, wildsound festival reviews, winning scripts, winning stories, writing festival , , , , , , , , ,

Submit your Fan Fiction Screenplay to the Festival Today: https://fanfictionfestival.com/

Watch the Batman Screenplay Winners:

Watch BATMAN: PATIENT ZERO by Andrew Akler:

Watch GOTHAM NIGHTS TV Pilot by Adam Kennedy:

Watch Bridge Over Troubled Water (Superman Batman Fan Script), by Glenn Magas & Dale Fabrigar:

Batman “Joker’s Vendetta” by Sean Ballantyne:

Table Reading of BATMAN: PATIENT ZERO by Andrew Akler

WILDsound Festival batman, COMIC BOOK Screenplay Festival, fan fiction, screenplay festival, short screenplay, table reading , , , , , , , , , ,

BATMAN: PATIENT ZERO was the Fan Fiction November 2015 Screenplay Winner.

Submit your Fan Fiction to the Festival Today:
https://fanfictionfestival.com/

Watch BATMAN: PATIENT ZERO by Andrew Akler:

CAST LIST:

NARRATOR – Sean Ballantyne
BATMAN – Steve Shand
JOKER – Brett Kelly
RIDDLER/NIGMA – Scott Beaudin
SCARECROW – Kunal Jaggi
HARLEY – Aidan Black Allen

Get to know writer Andrew Akler:

1. What is your screenplay about?

Batman heads to Arkham Asylum when he hears that The Joker has escaped and staged a takeover. As he progresses through the asylum, Batman fights through a host of villains that challenge him in a different way. This forces Batman to examine parts of himself and eventually come to a shocking realization. My goal was to take the audience on an almost “standard” Batman crusade, while introducing the psychological elements until we land on that twist at the end. I wanted to give you the Batman we all know and then take all that away while keeping it all justified.

2. Why does this screenplay fit into the overall Batman series?

There’s always been suggestions to Batman being just as crazy as his Rouges Gallery. The Arkham Asylum graphic novel hints at this. I actually see my story fitting in well in the Arkham game series universe, as I envision the characters in a similar way. For me, Bruce’s sanity has always been the underlying question of Batman.

3. This story has a lot going for it. How would you describe this Batman short in two words?

Wicked and Twisty.

4. What movie have you seen the most in your life?

I think it’s a tie between Inception and The Dark Knight. I’m a huge Nolan fan.

5. This is a very tight, emotionally engaging and fun screenplay. How long have you been working on this screenplay?

I had the concept in my head for a while but only started writing it over the summer of 2015. I like creating the world in my head before putting it on paper.

6. Who is your favorite Batman universe character?

The Joker. He’s what I like to call a simple complex character. In that, I mean he has all these different layers and versions to his character but on occasion, he can become the extreme of one and embody that trait fully. He’s the ultimate king of mischief

7. What motivated you to write this screenplay?

I’ve always loved how each of Batmans’ villains have psychological disorders. There have always been references to Bruce having some of his own which is what drives him to be Batman, but I wanted to take that idea to the extreme and explore what it would be like if Bruce actually had all these disorders that he sees in his villains.

8. What obstacles did you face to finish this screenplay?

I always tend to think a few steps ahead of what I’m doing so I kept thinking about budget and how on earth we would be able to make the story look convincing. That prevented me from writing certain sequences that I feel really made the story stronger. I had to learn to write for the story.

9. Apart from writing, what else are you passionate about?

I love music. I started out composing for film and gradually moved into writing and then directing. I’ve directed three films since 2013 and plan to pursue that as well as composing.

10. What influenced you to enter the Fan Fiction Festival? What were your feelings on the initial feedback you received?

I know it’s often hard to get fan fiction work recognized and when I found out about the festival I saw it is a wonderful opportunity. This was the first screenplay I have submitted to a festival and the quality of the feedback was amazing. I feel like it has helped me understand further into the screenwriting craft and will ultimately help me become a better writer.

11. Any advice or tips you’d like to pass on to other writers?

Just write. Even if it sounds forced or stunted, just get the ideas on paper. Don’t worry about budget or shooting, otherwise it will distract you from crafting the best story possible. Always focus on the story first.

Submit to the Fan Fiction Screenplay Festival via FilmFreeway (Watch past winners)

WILDsound Festival batman, COMIC BOOK Screenplay Festival, doctor who, fan fiction, festival deadlines, superman , , , , ,

In today’s market, agents and producers are looking for new talent who can write under the parameters of existing works and franchises. The art of adding a new twist/plot while knowing the themes and characters of the works you’re writing for. That is why the Fan Fiction Festival has been created.

Submit a FAN FICTION Script of a classic television show, movie series, or iconic franchise. Any past TV show or movie in the history of cinema. For example: You can send in a Friends TV screenplay, or a feature script from the Star Wars universe

Click to Submit via Film Freeway:

Watch Recent Winners:

BRIDGE OVER TROUBLED WATER
(Superman and Batman Story)
by Glenn Magas & Dale Fabrigar

FAN FICTION – DOCTOR WHO
Written by Mark Renshaw

Watch the 1st Scene Screenplay Reading of FACSIMILE

WILDsound Festival 1st scene script, fan fiction, first scene screenplay contest, winning scripts, winning stories , , , , , , , , , ,

Deadline November 5th: FIRST SCENE (first 10pgs) SCREENPLAY FESTIVAL Get it performed at the festival. Full feedback
http://www.wildsound.ca/firstscenescreenplaycontest.html

Watch FACSMILE, 1st Scene Reading by Gary Makin:

SYNOPSIS:

In a future Los Angeles, a homicide detective’s investigation into the attempted murder of a young woman becomes the ultimate case of identity theft when a powerful corporation is implicated.

CAST LIST:

NARRATOR – Angelica Alejandro
WOMAN – Laura Kyswaty
MORALES – Ben Hur
ORTIZ/DRIVER – Gabriel Darku
TAXI DRIVER – Chris Reid-Geisler
EVERS – Holly Sarchfield

Watch the Winning First Scene Screenplay Reading of HOW TO HOLD IT ALL IN

WILDsound Festival 1st scene script, fan fiction, first scene screenplay contest, winning scripts, winning stories , , , , , , ,

Deadline November 5th: FIRST SCENE (first 10pgs) SCREENPLAY FESTIVAL Get it performed at the festival. Full feedback
http://www.wildsound.ca/firstscenescreenplaycontest.html

Watch HOW TO HOLD IT ALL IN 1st Scene Reading by Gwen Goodkin:

SYNOPSIS:

How to Hold it All In is about a guy who’s lost the loves of his life.

CAST LIST:

NARRATOR – Angelica Alejandro
LYLE – Gabriel Darku
MARV – Ben Hur
CHIC-JINX – Chris Reid-Geisler

Watch Horror/Thriller Feature Screenplay Reading: THE DEVIL’S LARCENY

WILDsound Festival David Schaap, fan fiction, feature screenplay, Gabriel Dumas, horror, Ida Jagaric, John Goodrich, Kirsten Nolan, performance, Roman Spera, Stephanie Schmid, thriller, Val Cole, wildsound festival reviews, winning scripts, winning stories, writing festival , , , , , , ,

HORROR SCREENPLAY CONTEST
Deadline August 20th
http://www.wildsound.ca/horrorcontest.html

THE DEVIL’S LARCENY by Howard Fridkin
WATCH the Full Screenplay Reading:

NOTE: There is a TWIST in the end of this script. So pay attention!

SYNOPSIS:

The story is about two young law students, Steven & Katie, engaged to be married, who are researching the crimes of a dead pedophiliac serial killer for an important law assignment. As they begin delving into the killer’s psyche and the lives of his deceased victims, they begin noticing certain character traits resembling their own and eventually realize the horror that he is the reincarnation of the killer and she is the reincarnation of his last female victim.

CAST LIST:

NARRATOR – Val Cole
KATIE – Kirsten Nolan
STEVEN – John Goodrich
PROF. ROTHBINE – Gabriel Dumas
DR. BURMAN – Roman Spera
SARAH – Stephanie Schmid
JUNE – Ida Jagaric
DET. DESMOND – David Schaap

Watch IT’S ALWAYS SUNNY IN PHILADELPHIA TV Spec Screenplay

WILDsound Festival fan fiction, its always sunny, television screenplays, tv comedy, tv show, tv sitcom, tv spec , , , , , , , , , , ,

Watch the Winning TV SPEC Screenplay Reading by Keith Black

IT’S ALWAYS SUNNY IN PHILADELPHIA SHOW Spec Script:

CAST LIST:

NARRATOR – Lorry Ayers
DENNIS – Geoff Mays
MAC – Dan Cristofori
FRANK – Allan Brunet
CHARLIE – Adam Martignetti
DEE – Marsha Mason
SPANISH WOMAN – Victoria Kucher

Get to know writer Keith Black:
http://tvfestival.org/2015/06/19/reading-of-its-always-sunny-in-philadelphia-show/

* * * * *

Deadline August 15th: SUBMIT TV PILOT/SPEC Script – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/tvscreenplaycontest.html

Watch WINNING TV PILOT Screenplay Readings
http://www.wildsoundfestival.com/tv_pilot_readings.html

Watch WINNING TV SPEC Screenplay Readings
http://www.wildsoundfestival.com/tv_spec_readings.html

READ 100s of testimonials for past submitters –
http://www.wildsound.ca/wildsound_festival_review.html

Flashback Screenplay: Watch FAMILY GUY Reading from 2010

WILDsound Festival family guy tv show, fan fiction, television screenplays, tv comedy, tv show, tv sitcom, tv spec , , , , , , , , , , , , , , , , ,

Deadline July 31st: SUBMIT TV PILOT/SPEC Script – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/tvscreenplaycontest.html

Watch a TV SPEC Winning “FAMILY GUY” Screenplay Reading from Feburay 2010.

Titled “DIAL M FOR PETER” by Krishna Motha

Dial P for Peter is a murder mystery that draws inspiration from everything from The Maltese Falcon to LA Confidential. When a guest dies at a party, Peter and Brian must find out whodunnit before it’s too late.

PETER – Sean Kaufmann
LOIS – Nicole Wile
STEWIE – Brian Mifsud
BRIAN – Randy Singh
MEG – Natalie Dale
CHRIS – Steve Carey
QUAGMIRE – Bob Grant
JOE – Phil Dionne
VARIOUS – Victoria Murdoch
VARIOUS – Martin James Lindquist
NARRATOR – Lana Tailor

    * * * * *

Watch WINNING TV PILOT Screenplay Readings
http://www.wildsoundfestival.com/tv_pilot_readings.html

Watch WINNING TV SPEC Screenplay Readings
http://www.wildsoundfestival.com/tv_spec_readings.html

READ 100s of testimonials for past submitters –
http://www.wildsound.ca/wildsound_festival_review.html