Movie Review: STAR WARS: REVENGE OF THE SITH (2005)

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REVENGE OF THE SITH MOVIE POSTER
REVENGE OF THE SITH, 2005
Movie Reviews

Directed by George Lucas
Starring: Ewan McGregor, Hayden Christensen, Natalie Portman, Samuel L. Jackson, Ian McDiarmid, Frank Oz
Review by Andrew Kosarko

SYNOPSIS:

A long time ago, in a galaxy far, far away…. Sometime during Star Wars: Episode III Revenge of the Sith, Jedi Knight Anakin Skywalker will make a fateful decision. Faced with a choice between losing the one he loves or giving up his soul to gain the power to save her, Anakin will fall prey to the seductive temptations of the dark side of the Force. Just what Anakin’s decision is, why he makes it and how it leads him to don a frightening suit of black armor have been the stuff of Star Wars legend.

One word: Finally. And even that is pushing it.

REVIEW:

The Story:

Finally, Lucas pushes the “Go” button that he’s been afraid to hit for the past 2 movies. And even so, he waits until halfway through this movie to hit it. The story is so much more focused than the other two prequels and really provides a dynomite character piece that overpowers the CGI and the action. This here, is the good stuff. We finally will get to see how it all goes down, and here folks, is where the mystery truly lies. We finally see the Jedi annihilated, but sadly, mostly from the hand of the Emperor and not Darth Vader. But don’t let that phase you, Darth Vader does murder children in this film. Yeah…as sick and depraved, this is what I have been waiting for. For once in the prequel trilogy I was emotionally captured throughout everything happening in the film. I recall seeing the film for the first time at midnight, watching the death of Mace Windu and thinking to myself “Oh man…this sucks.” Anakin finally embraces his selfish wants to save the galaxy and his woman by his own hands and we understand why and we can justify everything he does through his eyes. We needed not the filler of yester-film, just to know the man was in love and that he would do anything to save it. We also get a great story of a teacher who feels immense regret for his actions and his own selfish promises that have come to a great cost to his world. We see an evil dictator rise to power and the groups who realize they unknowingly helping it come to fruition. Basically, the story works great for mystery, betrayal and epic action.

Acting:

Alright, here’s where I get defensive mode. It’s not Hayden’s fault for his performance. At first, I was like most and thought Lucas had hired the wrong man for the job. But once I got my hand on the DVD for this puppy, my view point changed. Watch some of the bonus features and see some alternate takes of Hayden performing. The man blows the roof off the house. And then watch as Lucas interrupts the take and asks him to change the performance to what we get in the final film. Sadly for Christensen, when George Lucas tells you to do something, you do it. Veteran actors like McGregor, Jackson, McDiarmid must have picked up on this way back in Episode 1 and figured out they were really on their own in terms of their performance. Even Portman steps it up in this film and impressed me. But of all the players, Christensen was the only one on his second outing. I don’t blame him for the faults in his portrayal of Anakin and even at it’s worse, it’s still somewhat tolerable.

Ewan rocks the house. I mean it. This is the Obi-wan we were all waiting for. It’s almost like he mixed a little of Harrison Ford’s Han Solo into his Obi-wan. But the detail is in the subtleties that really shows his ability. Watch the following shot after the end of the lightsaber duel between Anakin and Obi-wan. Anakin lays on the bank in pain and the first instinct of Obi-wan is to go and help his fallen brother. But he can’t. He stops himself. THAT, to me is absolutely phenomenal. I love it. Obi wan is a man driven in this film, which is what makes him most interesting. Just as Anakin becomes Darth Vader in this film, Obi-wan becomes the Obi-wan we’ve all been waiting for. He’s wise and understanding of the mistakes he’s made and out to fix them. Meanwhile, all trying to save his best friend. I mean come on, it just doesn’t get any more interesting than that if you ask me.

Lastly, I’d like to mention Ian McDiarmid. The dude steals every scene that he’s in. It’s not so subtle that he’s the one pulling the strings behind everything so they just run with it. It’s not revealed to us the audience until it’s revealed to the characters and that’s what makes it fun. We know it, but we’re not completely assured there’s a twist coming on it or not. Which is what makes it so rewarding that we can say “Yes! I knew it was him.” Even though most of us knew it from Episode 1 haha. But in all seriousness, the man goes from vile and mysterious to straight up evil and intimidating. A great arc is clearly seen in this film as he takes over the galaxy. So much, that this is more his movie than anyone else’s.

Directing:

Lucas gets everything right this go around. Yes the CGI is still heavily there, but there’s so much great story going on and great character development that we don’t mind it. It only adds to the story the way we hope. That’s what we needed in the other films. My only complaint is that he was so influential on Christensen’s performance that it hurts the film overall from most of everyone else’s opinions. That and making the cyborg Vader scream out like a little punk bitch at the reveal of his wife’s death. There, I said it.

Cinematography:

Stunning and original. This is when the HD 24p cameras were really working at full capacity. The film looks flawless. It really does capture a great crisp look that almost makes all of the CGI work better along with it so that it helps to suspend disbelief. Sad only because it’s the last film that will have it for Star Wars….at least until Star wars 7,8 and 9 come out.

Production Design:

Was there any? Aside from a few sets, everything is CGI. Most of the production design goes into costuming and set design, and even those are CGI influenced. As much as I praised the work above, I still favor actual objects when they can be there. But that’s just me.

Editing:

Great, there’s never a side step the entire film. I’m captured in every moment and never find myself bored. The pacing is on and while it takes a little while for the story to reach the point we’re all waiting for, we still aren’t looking at our watches. It gets there like clockwork and flows nicely. Again, shame it only took them 3 movies to figure it out.

Score:

John Williams jumps back to the level of great scores that he had in A New Hope. This film has it all. A perfect 50/50 blend of the old and new films to bridge the gap. There’s exciting new music that still channels the spirit of the original trilogy and gives us an emotional backbone to support some of the great battle scenes – most notably “Battle of the Heroes” between Obi-wan and Anakin. Simply powerful.

Special Effects:

The movie is 75% CGI. Literally. While still, in my opinion, over stylized, the film’s story keeps the CGI from overpowering the image and removing our attention from the events at hand. Some of the work is very impressive, while other parts are very obvious CGI that got less attention and is needing heavy work. Massive props have to be given to the work on Yoda however. While it’s not perfect, it’s damn close to it. I was very impressed with how close to life like it looked.

In closing:

Revenge of the Sith delivers. It’s not how any of us would have done it, but it is indeed George Lucas’ baby. It’s not perfect, but it works greatly. It’s one of those darts that get’s so close to the bulls eye that your friends are like “alright, I’ll give you that one.”

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DOCTOR WHO “The Time Cuckoo” by David Gilbank & Paul Renhard

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Watch the Fan Fiction Table Reading “The Time Cuckoo”

CAST LIST:

NARRATOR – Amaka Umeh
DOCTOR – Hugh Ritchie
AMY – Victoria Urquhart
NELSON – Julian Ford
VENTRILLIS – Sean Ballantyne
REGAZZA – Mohogany Brown
HARDY – Isaac Alfie

Get to know writers David Gilbank & Paul Renhard:

Matthew Toffolo: What is your Doctor Who screenplay about? 

David Gilbank & Paul Renhard: The Doctor is forced to kidnap Lord Nelson by an alien race who believe Nelson’s battle skills will help them win a war that has been raging for centuries.

Matthew: Where does this episode fit into the context of the series? 

David & Paul: It was written for Matt Smith and Karen Gillan. Although I’m pretty sure with a bit of tinkering, we could adjust to suit Doctors past and present.

Matthew: Your screenplay ends with a twist and a setup to a future conflict with the Doctor. Do you have episode 2 and beyond of your Doctor Who universe written or outlined? 

David & Paul: Not yet but it’s on our list of ‘things to do’. We’re currently in pre-production on a screenplay that we wrote about sport and love. That’s right a love story mixed up in a sport story. Think Rocky meets Pretty Woman and Love Actually. Or Slapshot in Love. Or something like that. We did it for the money.

Matthew: Who is your all-time favorite actor who played Doctor Who? 

David & Paul: Tough one – it would come down to Tom Baker or Jon Pertwee and we’d probably for Baker just because of The Seeds of Doom! Or Pertwee in the Planet of the Spiders. We did like Davis Tennant too.

Matthew: Who is your favorite non-Doctor character in the series? 

David & Paul: The Daleks. Every hero has to have his or her antagonists and the Daleks are just the best bad guys in fiction. Also liked Mike Yates, Sgt Benton and The Master (particularly Roger Delgado – Moriarty Deluxe). Also have to say I (Dave) loved the Tomb of the Cybermen. A beautifully written adventure with a claustrophobia akin to Alien (made some 10 years later). I love the way the old series (60’s and 70’s in particular) had to rely on storytelling to make up for the sparse FX and miniscule budgets.

Matthew: What TV show do you keep watching over and over again…besides Doctor Who?

David & Paul: The Tinker Tailor Soldier Spy TV mini-series – Alec Guinness as George Smiley. Perfect telly. I also loved Callan. Edward Woodward as a deadeye killer with a whiff of conscience was mesmerising. Loved the rebooted Battlestar Galactica. That story deserved to be re-made and those guys did it. Spectacularly written and wonderful acting. One of the best TV series ever made, scifi or other. I’m also re-watching The West Wing again. It’s like revisiting old friends. Aaron Sorkin has the IQ of Skynet.

Matthew: How long have you been working on this screenplay?  

David & Paul: About three months.

Matthew: How many stories have you written? 

David & Paul: Loads. We wrote a SciFi horror screenplay in 2010 called ‘Cull’ that won several screenwriting awards around the world. Think Soylent Green meets Alien. Its horrifying but a wild ride. We’ve also written several TV series, usually involving gangsters and aliens. We’ve just made a short film that is being well received. We’ve also written a ghost/horror screenplay which is currently doing well on the festival circuit.

Matthew: What motivated you to write this screenplay? 

David & Paul: We just love Doctor Who and the creative possibilities are infinite! We are ambitious writers and thought we could write something pretty exciting.

Matthew: What obstacles did you face to finish this screenplay? 

David & Paul: A 9 to 5 job and, clashing personalities. Fortunately Dave is pretty obsessive and is pretty driven to complete projects. Dave finishes. Paul rewrites. Dave changes it back. They argue. They don’t talk for a week. Paul changes it back, Dave sulks. Paul thinks he’s got his own way. Dave sneakily changes it without Paul knowing…and voila a perfect writing team.(I didn’t know you did that!) (Just joking) (Really?) (of course) (I knew it!) (here’s a bottle of Johnny Walker. Drink it now) (Ok, but I will be checking in future) (sure you will, Drink…drink…driiiiink) (I love you) (shut up).

Matthew: Apart from writing, what else are you passionate about?

David & Paul: We both love making films! So far we’ve only had the resources to make short films, but watch this space! Dave loves cricket, physics, Rugby League (Brisbane Broncos), Evolutionary archeology, history, carnivorous plants, digging holes and road rage. Paul likes writing and nothing else.

Matthew: What influenced you to enter the festival? What were your feelings on the initial feedback you received?

David & Paul: We’re always on the lookout for festivals to enter and this is the only one we know of that would let us enter a script based on an existing TV franchise. It’s always great to receive constructive criticism of your work, it’s the only way to make your writing better.

We accept we probably tried to cram too much into the episode, but we just couldn’t help it!

Matthew: Any advice or tips you’d like to pass on to other writers? 

David & Paul: We’re really not in a position to offer advice, as we’ve never had anything made, barring our own short films, which are of varying quality. However, the only sage advice is to write! Just start writing, anything. The more you write the better you get at it. We’re both advertising copywriters during the day and we’ve learned that anything down on the laptop screen is better than nothing at all. Also listening to music and listening to the voices in your head is good. Unless they tell you to rob a bank or overthrow the government.

Producer/Director – Matthew Toffolo
Casting Director – Sean Ballantyne
Editor – John Johnson

 

 

 

 

 

Today’s Deadlines for Writing Festival: Novel, Poetry, Feature and TV Screenplays

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DEADLINE Jan 31st: 1st CHAPTER/FULL NOVEL Festival.
http://www.novelwritingfestival.com/

Get your story performed at the Writing Festival. FULL FEEDBACK on all entries.

Novels Showcased in 2015:
45 Novels Performed
9 Novels Made into a Movie
Plus, 12 Poems Made into a Movie

Get FULL FEEDBACK on either the 1st chapter or entire novel book from our committee of Professional Writers, and Writing Consultants. Get your novel performed by a professional actor at the festival.

NEW OPTION: Or, just submit for an actor performance reading transcript of your novel (any 5 pages of your book). Great way to promote the sales of your book if you’re already published. (see examples on the video playlist below)

——–

Deadline: FEATURE Screenplay Festival – Get FULL FEEDBACK. Get script performed by professional actors
http://www.wildsound.ca/screenplaycontest.html

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READ 100s of testimonials from past…

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Movie Review: Star Wars Episode 2: Attack of the Clones (2002)

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Read Interview with Star Wars Storyboard Artist Kurt Van der Basch

ATTACK OF THE CLONES MOVIE POSTER
ATTACK OF THE CLONES, 2002
Movie Reviews

Directed by George Lucas
Starring: Ewan McGregor, Hayden Christensen, Natalie Portman, Samuel L. Jackson, Ian McDiarmid, Anthony Daniels
Review by Andrew Kosarko

SYNOPSIS:

In the second installment of the Star Wars series, EPISODE II–ATTACK OF THE CLONES, Anakin Skywalker (Hayden Christensen) is now a teenage Jedi apprentice to Obi-Wan Kenobi (Ewan McGregor). Together they must protect Senator Padme Amidala (Natalie Portman) from a militant group of political activists that is trying to assassinate her. This group is led by the evil Count Dooku (Christopher Lee). Among other troubles, Anakin faces some hard choices as he begins to fall for Padme, knowing this love is forbidden by the Jedi knights’ creed. In addition, Anakin begins to show his rebellious attraction to the dark side–which will eventually conquer him, when he becomes the future Darth Vader. The story is set 10 years after STAR WARS EPISODE I: THE PHANTOM MENACE, and there are appearances by some of PHANTOM’s characters, including Jar Jar Binks. CLONES also brings back familiar faces from the original STAR WARS: the lovable droids R2D2 and C3PO, and Yoda, who plays a key role in this film.

 

REVIEW:

For a title that includes the term “attack” there seems to be a repeat of the problems of Phantom Menace in this film. The lack of action and the continued overstylized CGI that possesses every frame. This was supposed to be, in a fans mind, where things got good. And when I say “good” I mean, “bad” for just about everyone in the story. We got the setup in Phantom Menace, everybody knows everybody and things are set in motion. The sad part about this film, is that instead of trying to follow through on those setups, the film attempts to vicariously channel the romance aspect of Empire Strikes Back without including the darker elements. Sure, there’s a slaughtering of the sand people and the not so subtle of Count Dooku, but I mean, the rest of the time it’s just Hayden and Portman giggling in the gardens and using the force to pass the dinner salt. Meanwhile Obi-wan takes a space vacation and runs into the Boba-fett wannabe dad while Yoda and Windu sit around the temple watching Palpatine run amok constantly saying “this is gonna be bad” and not doing anything to stop it. There ya have it. There’s the movie. The problem, again, is basically Lucas’ mindset of “we have to save all the good stuff for the next one.” And that’s basically explains the reason for this movie. Filler.

The Story:

Granted, it takes a step in the right direction after Menace and there’s no repeat fish chase scenes, but overall, this is a Star Wars movie for teen girls. And there’s nothing wrong with that….well, except the core audience of this film don’t talk to members of that gender unless they’re members of the 501st. I do enjoy seeing Anakin and Padme falling in love, but I don’t need it dragged out for 2 hours. The romance aspect is just “there.” It doesn’t ever “build.” That’s my problem with it. The mystery aspects involving the clones and Obi-wan isn’t so much a mystery given what we know from the original films so maybe this movie will play different to my kids one day if I decide to have them watch them in order for Lucas and not release. Speaking of which, I think one day I’ll hold an experiment and have one son watch them in Lucas order and the other son watch them in release order and then watch them duke it out. Who knows how that could end haha.

Acting:

Now, here’s where people are going to raise an eyebrow. I don’t think Hayden Christianson is a bad actor. I honestly don’t. Go see Shattered Glass if you have a chance. The dude can act. I don’t know what happened to him in these movies.Wait, on second thought. Yes I do. But I’ll explain his acting problems when you read the Revenge of the Sith review. Because until I saw something with that I thought he sucked just like the rest of the world.

The rest of the returning cast do the same old song and dance. Jackson is more characterized in this film as being the strict badass so he works a lot better in this film and if Ewan McGregor was channeling Alec Guiness every night, I wouldn’t be surprised. He works very well, even down to the subtleties of Guiness’ acting and speech. Very impeccable work. The only weak link, in my honest opinion is Christopher Lee. Yes, I know he’s a famous cult actor and one that fits this genre….well…kinda. Nevertheless, I never felt any life in his character. Never despised him like I do all of the Star Wars villains. I still think if Darth Maul had survived Menace and carried on until the third film in the same spot as Lee that it would have been a hell of a lot more interesting. Not only for us as an audience who see Maul as a mysterious and intriguing character, but also as a personal emotional arc on seeing how Obi-wan dealt with the theme of revenge as opposed to Anakin. But that’s just me.

Directing:

Here ya go Mr. Lucas, let’s try this for a second time…don’t drop the ……..ball. Damn it George what did I tell you? As with the past of George Lucas famous directing shouts (“Faster and more intense.”) I have came up with his new ones all my own. For Menace it was “slower and more subdued.” For Clones? I’m going to make a guess and say it was “not too much, save it for the next one.”

Cinematography:

Again – beautiful when not dealing with the CGI explosion love fest taking place.

Production Design:

Same as Phantom Menace, the problem here being that Lucas now using a digital high def 24p camera has a lot more ability to manipulate things with a computer so there’s a whole heck of a lot less production design and more CGI. And this, as a loyal student to the old school, makes me sad.

Editing:

Much better off this time around. While I felt Phantom Menace moved too slow, this film still carries a nice pace. Like I said, most of this film just comes off as filler in the end, but it still keeps you hooked for the majority of the film.

Score:

John Williams makes moves. More movements towards the original score so the audience “gets it”. Granted, I’m pretty sure it was easy to tell the Clone Troopers would become storm troopers, but the music really gets you excited about it all, even if it’s just for the last 30 seconds of the film.

Special Effects:

Too much of the same old song and dance. Sorry, the film comes off being a little too altruistic in the CGI sense. It’s almost as if the aesthetic is the only selling point of the film, and even at that, it chokes the story most of the time. Massively hinders the suspension of disbelief. There in lies one of the problems. Yes, we’ve made massive strides in CGI realism, but it’s not there yet. I can still tell when something’s fake, even in something these days like District 9.

In closing:

Filler. I honestly think you could skip this movie, go straight to the third one and really only miss a beat or two. Nothing that a friend couldn’t explain in a sentence. The filler doesn’t really do much to justify or explain the details, oddly enough something we got too much of in Menace, to make it worthy of repeat viewing. The film is a let down mainly because this is the one we expected to see the rise of Darth Vader and then the next film to be full force Vader badassery. Hunting Jedi, taking over the galaxy. But no.

Flowers. Giggles. Clones and Wannabe’s. And a lot of “I have a bad feeling about this.”

Next…..the bad guys come a callin in Revenge of the Sith….

 

Submit your Fan Fiction Screenplay to the Festival: http://fanfictionfestival.com

Read Interview with Star Wars Storyboard Artist Kurt Van der Basch

Watch the Winning January 2016 Screenplay Readings:

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Deadline January 31st: FEATURE Screenplay Festival – Get FULL FEEDBACK. Get script performed by professional actors:
http://www.wildsound.ca/screenplaycontest.html

Watch WINNING Screenplay Readings – Watch videos of past winners performed by professional actors
http://www.wildsoundfestival.com/feature_script_readings.html

Watch the Winning January 2016 Screenplay Readings:

ACTORFeature Screenplay – CRIME EXTRAORDINAIRE
January 2016 Reading
Written by Howard Fridkin

ACTORTV PILOT – LACIE BIDWELL
January 2016 Reading
Written by Jameel Khan

ACTORTV PILOT – LIFE IN THE FAST LANE
January 2016 Reading
Written by Debi Calabro

ACTORTV SPEC – UNBREAKABLE KIMMY SCHMIDT
January 2016 Reading
Written by Jen Turriff

ACTOR1st Scene -PURGATORY
January 2016 Reading
Written by Alex A. Kecskes

ACTOR1st Scene -GUNNISON
January 2016 Reading
Written by Daniel Duane

ACTORShort Screenplay – US NAVY CINE-KODAK
January 2016 Reading
Written by Stephen M. Hunt

ACTORShort Screenplay – THE NEW NEIGHBORS
January 2016 Reading
Written by Filippo Santaniello

ACTORBEST SCENE – ABSYNTHIA
January 2016 Reading
Written by Seregon O’Dassey

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Movie Review: Star Wars Episode 1: The Phantom Menace (1999)

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THE PHANTOM MENACE MOVIE POSTER
THE PHANTOM MENACE, 1999
Movie Reviews

Directed by George Lucas
Starring: Liam Neeson, Ewan McGregor, Natalie Portman, Ian McDiarmid, Samuel L. Jackson, Jake Lloyd
Review by Andrew Kosarko

SYNOPSIS:

The first of three prequels to George Lucas’s celebrated STAR WARS films, EPISODE I: THE PHANTOM MENACE is set some 30 years before the original STAR WARS EPISODE IV: A NEW HOPE in the era of the Republic. Naboo, a peaceful planet governed by the young but wise Queen Amidala (Natalie Portman), is being threatened by the corrupt Trade Federation, puppets of an evil Sith lord and his terrifying apprentice, Darth Maul (Ray Park). Jedi knights Qui-Gon Jinn (Liam Neeson) and Obi-Wan Kenobi (Ewan McGregor, performing an amazing vocal imitation of Alec Guinness, the older Obi-Wan) are called on to intervene in the trade disputes. Along the way, they acquire an apprentice of their own in the form of young prodigy Anakin Skywalker (Jake Lloyd), or as STAR WARS fans know him, the future Darth Vader. They also encounter Jar Jar Binks (Ahmed Best), a goofy, lizardlike creature who has been banished from his underwater world for clumsiness. When the Trade Federation launches an attack on Naboo, the queen and her allies must battle hordes of robot troopers while Qui-Gon and Obi-Wan face off against the sinister Darth Maul. One of the most anticipated films of all time, THE PHANTOM MENACE sets the stage for the tumultuous events to come. Lucas fills the screen with detailed sci-fi creatures and locations, revealing the most creative and exquisite sets, costumes, and character designs to hit the screen since the original trilogy

REVIEW:

A Baaaaaa! Da da duhhhhhh…ba da duh da duh duh duhhhhh.. Bah bah baaah baaaah ba ba baaa baaaaaaa baaaaa. It was the moment everyone had been waiting for. Ever since George Lucas renamed the Original Trilogy (OT) years ago to have episode numbers, fans have been waiting on edge for the prequels to the biggest feature films of all time. There is no argument, nor comparison. Star Trek and Lord of the Rings can kiss my wookie. But sadly, this outing didn’t match fans expectations.

The Story:

The most repeated phrase for this review is going to be “hit or miss.” Simple as that. The story, jumps between awful moments that we don’t need, and spectacular moments that drop your jaw. The problem is that the former is the majority overall. Lucas has no box to be put in so it’s very much that vain indie film maker mentality of “I know how to do it better than the studio.” Which is very apparent in his commentary and bonus interviews. Most of the story is bogged down in details and that’s the problem overall. Yes, it’s nice to see someone selling alien snacks at a podracing event, but it’s not something we need to designate 5-7 seconds to in a stand alone shot. This, in small doses, is alright, but Lucas runs with it too far. Showing every nook and detail of the worlds he has us in with spot light shots (basically featuring just the detail alone) and not contributing anything to the overall story. These short details add up in time and slow the story down. Secondly, the story is paced way to slow. Many of the attempts to bring some life to it feel forced upon repeat viewings – most notably the Qui-gon VS Darth Maul on Tattooine battle. Lucas could have had a shorter film that was paced better if he hadn’t had 2 fish chase sequences back to back that both end the same exact way…I’m still trying to figure out why the hell we watch the same exact thing twice. If anyone knows, please feel free to drop me an email.

Acting:

Alright, here we go again with “hit or miss”. Neeson – hit. McGregor – hit. McDiarmid – Hit. Lloyd – Miss. Portman – Miss. Jackson – ….that one is a 50/50 for me. The biggest ball dropped is Jake Lloyd. I’m sorry – he’s a horrible child actor. The blame does fall to Lloyd’s ability, or lack thereof, and Lucas’ casting decisions here. What’s mind boggling is watching the bonus features and seeing the footage of the two boys it came down to for casting Anakin and Lucas picks Lloyd, who also sucks in the audition. The other boy is fantastic and from that screen test, in this reviewers opinion, would have made the film a lot stronger and more legitimate. Oh and then there’s Ray Park as Darth Maul – That my friends, was a walk off grand slam in the bottom of the 9th in the championship game.

Directing:

Lucas sees these films as his tribute to the old sci fi serials. A vision that was disregarded by Mark Hamil, Harrison Ford and Carrie Fisher back in the days when he was a little known director. But over time, his reputation has been built off the franchise that he only wrote and directed one film of. Thus, I believe a lot of his direction is taken too close to heart by the actors. Namely, Portman and Jackson, whom I know are capable of a lot more.

Cinematography:

The last Star Wars film to be shot on 35mm. And it shows, in a good way I mean. I love the way 35 looks with this world. In such an epic and fantastical tale, it’s nice to see the grain of film that reminds the viewer of reality. Granted, there’s less control over the image but that’s one of the creative boxes Lucas couldn’t get out of yet. It also most likely diminished a lot of the stylized CGI worlds that were to come. Everything is beautifully lit and framed and there’s never a moment your eyes want to look away, unless of course it’s the back of your eyelids.

Production Design: When it’s actually there, it’s great. I’m a fan of minimal CGI and I enjoy seeing the craftsman ship employed on actual objects an applaud the “movie magic” of yesterday that earned that illusion of disbelief. It’s stylized, but still fits this world and shows early indications of what’s to come in later films. A nice luxury of making a prequel.

Editing: Here’s where they could have done a lot of fixing in terms of the scripts pacing. But it’s not. I feel like the editors, mainly Smith, were influenced by the omnipresence of George Lucas. The Podrace is 10 minutes long. That’s 4 minutes too long by my count. Do you know what you can get done in 4 minutes in a feature film? And again…the “always a bigger fish” twice….come on? Was it so boring in the editing room that everyone fell asleep at the Avid and forgot to extract that scene from the timeline?

Score: John Williams. Duh? Duel of fates sold that score alone. I don’t know if I’d say it tops the OT score, but it definitely defines the new trilogy as having a similar, yet original score of it’s own.

Special Effects: “Too much of a good thing.” I cannot speak ill about the accomplishments of the CGI, but I feel as though there’s way to much, even when there’s no need for it. It over stylizes the film and really takes the audience out of the emotional connection with the characters and the surroundings. I realize puppets and animatronics and real sets are hard to create and cost a lot of money, but if you’re a real artist, you understand that it’s a better pay off in the long run.

In closing: I like this movie. A lot. I hope my review doesn’t lean too much towards the negative side. It’s just not the same as I expected. Which is hard to justify because I’m a film maker and a fanboy of this series. I think as a collective group we all expected the following most of all –

1) An older Anakin right from the start – preferably with better acting.
2) Lucas, being notorious for one single line of directing on A New Hope, “Faster and more intense” would echo that again. Instead we got “Slower, and more subdued.”
3) No Jar Jar.
4) A bit more of darker story tones. I’m not talking The Dark Knight here, but sparing moments to foreshadow Anakin’s eventual turn to the dark side.
5) No Jar Jar.
6) More action. The film plays like a drama instead of an adventure. And the majority of the action is rarely justified. Michael Bay does a better job at explaining why some things blow up in his movie than a couple moments in this film.

Had these things been focused on more, I feel like would be obsessed with this movie and fans would have received it a lot better.

On to Star Wars: Attack of the Clones…..

….and no Jar Jar.

Submit your Fan Fiction Screenplay to the Festival: http://fanfictionfestival.com

Read Interview with Star Wars Storyboard Artist Kurt Van der Basch

Read Best of Interviews with Top Hollywood Film Crew and Festival Directors

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Read the best of Interviews this week. 

Interviews from Matthew Toffolo  from WILDsound

Interview with Stunt Performer James Cox (Star Wars VII, The Dark Knight Rise)

Interview with Stunt Performer James Cox (Star Wars VII, The Dark Knight Rise)

Interview with Actor James Wallis (Shakespeare BASH’d)

Interview with Actor James Wallis (Shakespeare BASH’d)

Interview with Graphic Designer Tina Charad (Maleficent, Fifty Shades of Grey)

Interview with Graphic Designer Tina Charad (Maleficent, Fifty Shades of Grey)

Interview with Festival Director Oscar Piloto (Miami Indie Artist Film Festival)

Interview with Festival Director Oscar Piloto (Miami Indie Artist Film Festival)

Interview with Festival Director Roger Sampson (Focus International Film Festival)

Interview with Festival Director Roger Sampson (Focus International Film Festival)

Interview with Festival Director Michael Wearing (The Rob Knox Film Festival)

Interview with Festival Director Michael Wearing (The Rob Knox Film Festival)

Interview with Festival Director Onur Yayla (Around International Film Festival)

Interview with Festival Director Onur Yayla (Around International Film Festival)

Interview with Festival Director Charles…

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Movie Review: RETURN OF THE JEDI (1983)

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RETURN OF THE JEDI, 1983
Movie Review
Directed by Richard Marquand
Starring: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, Peter Mayhew, Sebastian Shaw, Ian McDiarmid, Frank Oz, James Earl Jones, David Prowse, Alec Guinness
Review by Andrew Kosarko

SYNOPSIS:

The third and final chapter in the wondrous STAR WARS saga is RETURN OF THE JEDI. Luke (Mark Hamill) must save Han Solo (Harrison Ford) from the clutches of the monstrous Jabba the Hut, and bring down the newly reconstructed–and even more powerful–Death Star. With Solo imprisoned, Luke accompanies his faithful droids R2D2 (Kenny Baker) and C3PO (Anthony Daniels) in a rescue bid, with Princess Leia (Carrie Fisher) and Chewbacca (Peter Mayhew) also lending a hand. After they valiantly disentangle their friends from Jabba’s clutches, Luke returns to his Jedi Knight training with Yoda. Meanwhile, the Rebel Troops amass in an attempt to see off the impending threat from Darth Vader (played by David Prowse, voiced by James Earl Jones) and his new Death Star, with the operation being lead by Han Solo. But Luke must face Vader himself if he is to become a true Jedi Knight, and as he enters into a spirited battle with his light saber-wielding enemy, some surprising revelations await the young warrior.

CLICK HERE and read the Star Wars REVIEW

CLICK HERE and read the Empire Strikes Back REVIEW

REVIEW:

The always say, save the best for last, and while and I can openly admit that I prefer the New Hope trench run to the “Trap of Death Star II” and the training of Luke to the siege of Endor….Return of the Jedi does, in fact, have the greatest ending of them all with the climactic battle between two sith and a lone jedi. The “filler” up to that just doesn’t add up to it the way it should.

The Story: So, as stated above, the problem lies within taking down the shield generator for the newest Death Star. While an important plot point it is, we get very mislead within the “walking around the forest aimlessly” stuff. The ewoks, while very ‘cute’ to the female audience and quotable to the fanboys, are really quite un-interesting in this reviewers opinion. Upon repeat viewings, you just want to skip over the Jabba stuff or the whole deal with Endor and get right into the Luke/Vader stuff. We have gone through 2 whole movies setting this up and it only goes down in the last ¼ of the movie. In my opinion, there was enough to subject matter to last ¾ of the movie to have Luke and Vader going at it. There is no more of the Vader attempting to convert Luke to help him overthrow the empire. Apparently after telling Luke that he’s his father, Darth Vader figured that wonderful piece of information wouldn’t change Luke’s mind in the slightest to turning to the Dark Side with him. No imaginative tricks or tests are done by Vader to lure Luke away. Instead we have tribal celebration ceremonies by Care Bears. It’s only when Luke comes to face the Emperor, the run-a-way role of the movie, that things really start to get interesting.

Acting: For the most part, it’s the same old same from all the actors. Although, Han Solo isn’t as gruff and pirate-y as he has been in the past. He’s been well, domesticated in a sense. It’s been said in Empire of Dreams that Ford believed Solo should have been killed off, and it really shows in his performance that he doesn’t care much to be there. The newest and really, only main editions are Ian McDiarmid and Warwick Davis as the Emperor and Wicket the Ewok respectively. McDiarmid does a great job making the Emperor the epitome of evil. He’s creepy, malicious and powerful. Davis does some method acting for Wickett. He studied his dog’s mannerisms to show emotion through the mask and act like an animal. Turning his head in various motions to display emotions. Excellent acting for the two newest entries.

Directing:   Richard Marquand does an ok job. But there’s a lack of interest in almost every scene. The breath of emotions are just lacking. The only time you really get emotionally captured into the film, is, the end. Now whether it be the writing or the directing or the acting or the placement of those scenes in the shooting schedule, something rattled that production to make an amazing climax to the best trilogy of films of all time. I lean towards the writing and the idea of adding filler prior to it. I’d have been much more apt to seeing a battle between Luke and Vader/Emperor go for 2 hours. Or even have that occur early in the film and the remainder of how the galaxy is rebuilt. Any way you look at it, the director is the sole responsible factor for it all.

Cinematography: Very gritty and realistic. Now while I don’t love the fake CGI worlds of the prequels, Star Wars, in my opinion, requires a scent of imagination to it. Something otherworldly. Somehow, the world of Endor just doesn’t cut it for me. The cinematography is just boring to look at. As is Tattooine. The Death Star, however, is the strongest of all with strong colors and contrast with dark lighting to set the mood. Production Design: As listed above, the worldly stuff is very bland and “meh.” I understand the concepts of the worldly stuff being very primitive and the Empire being technology based. But I am not intrigued with the primitive world unless you provide a focus on it that makes it imaginative and fresh. This production design lacks it.

Editing: Again, lacks any real focus up until the final confrontation. The parallel action that takes place is the best way to have several climaxes going on at once is the best way to tell the story. Cutting out lackluster action and keeping the audience guessing was the best way to go.

Score: John Williams. Any questions?

Special Effects: The best of the un-Special Editions. Special effects can only get better as time goes on. And while the 80’s isn’t well known for having the greatest special effects of all time, Lucasfilm does one of it’s greatest final visual effects jobs with using real ships and green screens to create realistic, yet imaginative, battle sequences.

In closing: Return of the Jedi, on first viewing, is a great film and a grand finale to the Star Wars trilogy. However, unlike it’s predecessors, is a bit lackluster on follow up screenings. You just want to fast forward to the end and the rest is just filler. Filler that doesn’t even hold your attention or have great scenes of interest. Sadly, this will be the last Star Wars film that people really can enjoy the lack of overdone special effects. On a final “happy note,” the film provides one of the greatest and repeated lines of all time, almost as much as “I am your father,” ………….It’s a trap!

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Watch the January 2016 Winning Writing Festival Videos

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Watch all of the winning writings for January 2016. 1 novel made into a movie. 1 feature screenplay reading. 2 TV Pilots. 1 Spec screenplay. 4 novel readings. 2 1st scene screenplays. 2 short screenplays. 10 Twitter Short Stories. 12 Poetry Readings.

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca
Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com

ACTOR
Written by Albert Lewis
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Director/Producer: Matthew Toffolo

Editor: John Johnson

Casting Director: Sean Ballantyne

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Movie Review: THE EMPIRE STRIKES BACK (1980)

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THE EMPIRE STRIKES BACK, 1980
Movie Review
Directed by Irvin Kershner
Starring: Mark Hamill, Harrison Ford, Carrie Fisher, Alec Guinness, Peter Cushing
Review by Andrew Kosarko

SYNOPSIS:

THE EMPIRE STRIKE BACK continues creator George Lucas’s epic saga where STAR WARS: A NEW HOPE left off. The Rebel Forces–which include young adventurer Luke Skywalker (Mark Hamill), rogue pilot Han Solo (Harrison Ford), and the beautiful but seemingly humorless Princess Leia (Carrie Fisher)–have been successful in destroying the Evil Empire’s Death Star. However, the Empire’s top commander, the terrifying Lord Darth Vader (played by David Prowse, voiced by James Earl Jones), is scanning the galaxy for the Rebels’ secret location. After a visually stunning showdown on the ice planet Hoth, the Rebels are forced to flee, and Luke separates from Han and Leia. Masterful storytelling weaves multiple, archetypal plotlines that pit Vader against Han and Leia as he desperately attempts to capture Luke for political–and, secretly, personal–reasons. Luke, meanwhile, finds himself under the tutelage of the tiny but powerful old Jedi Master Yoda, who teaches him the ways of the Force and warns the impatient but talented student against the threat of the Dark Side.

REVIEW:

The movie that redefined sequels, franchises and “dark” movies in general. This movie changed the way we see and make films. It is complex and fun. It’s dark and emotionally tearing. It’s innovate, fresh and original, yet still loyal to the archetypes of old. It’s also proof that other people do a better job filming George Lucas’ ideas than Mr. Lucas himself.

The Story: What can I say? The movie has a narrative outline that has you guessing from the start. Until this point, sequels (sans Godfather pt. 2) really just followed the same outline as the first installment, with writers playing Mad Libs in their creation. This film takes place shortly after a long time ago in a galaxy far, far away. Our characters have moved on a bit from when we last left them so we’re already hooked to catch up with them before they take off for their newest arcs. Luke is kicking ass as the leader of the rebels, Han Solo is sticking around to do what he feels is right, and Leia is keeping her mouth shut about something.

After the end of A New Hope………who the hell saw all that coming? Well, don’t worry, cuz we’re running past that right away. Han decides he’s gonna blow town and get Jabba off his back so he can….well we never do find out where he’d go after that. I, personally, always believed that he just did that little song and dance to get Leia to out herself and her feelings for him. Space pirates need lovin too. And our boy Luke? Well, when he’s not being used as a pawn in Han and Leia’s love games (which is really sick if you think about it), he’s right back to disobeying his mentors. In this case, the amazing Yoda. And no kiddies, this was before talking in backwards fragments was cool. Obi Wan is ghosting around on occasion, but the real haunting presence comes from Darth Vader, looking for the young rebel who screwed up their plans in the first movie, seeking his revenge. Err….so we think.

Then we find out that Vader is actually after him to try and give him a sales pitch to join the bad guy club. Uh…wait…nope, we’re wrong again. And then we get hit with the biggest and greatest twist in movie history (The 6th sense can kiss Empire’s ass). Oh, and did a mention we get Billy Dee Williams as a Diet Han Solo? Well…..when you have someone as badass as Billy Dee in a side role, you gotta water him down so not to steal the sun from Harrison. All that leads to a culmination of ends for all the characters. You never guess how Luke will end his training, how Han pays his debt to Jabba, Darth’s sales pitch to Luke. All the stories going on are incredibly impossible to predict, which, in my opinion, is what makes a great movie. In this case, one of the absolute undisputed BEST of all time.

Acting: Everyone really steps up here. Maybe it’s because Kershner gave them something past “Faster and more intense.” Hamill is able to play the whiney and emotional character that Hayden Christianson wishes he could have been allowed to hit. Harrison Ford really understands what Han Solo is all about. Not that he didn’t in the first, but you can just really feel the pirate badass in him this go around. Carrie Fisher does a fantastic job as well. For once I have a female lead who is a badass fighter…..and it doesn’t feel forced or “in the movie to have an independent woman.” She’s not trying to be any of those, she just is. Which is what makes her the best female heroin I believe I’ve ever seen. Her emotions are real, she’s still a woman, but still holds a sense of reason and accountability.Directing: Irvin Kershner is my hero. Character directing is what I love the most, favoring it over plot directing. Kershner knows how to blend the characterization with the plot and doesn’t over do it the way Lucas does in the prequels. The story moves through them and we actually care about the characters in a way we never thought we could. We really feel like we’re in it with them and at the end of the first time you see this movie, you’re pretty flabbergasted at what the hell just happened. The mark of great directing if you ask me.

Cinematography: Well done for what it was. I know that filming in snow is a ridiculous and very ambitious job, but I love them for it. The sets of Hoth are beautifully photographed and really open up the worlds. It doesn’t feel like we’re in the arctic. We’re on another world. And that all subtlety comes through the way it’s shot.

Production Design: Once again, excellent. This is before George Lucas was able to go CGI crazy on the film and take the realism out of them.

Editing: Bar far, absolutely great. The dogfights, the chases, the lightsaber duel. All of the above are just so well handled and paced. The movie never really lags sans a couple bits with C3PO, but it flows very well. It’s in, tells ya what you need to know and makes you feel what you need, and then moves on.

Score: John Williams is film composer God. Need I say anymore?

Special Effects: Impressive. Most impressive. A step up from the original, the colors of the lightsabers are better maintained this go around. The Imperial walkers are very realistic, as are the speeders and other ships within the film. All well designed and shot.

In closing: “In every great story, you know that when you launch into the second act, everything goes to hell. And that’s usually the best part of any story.” That’s a loosely paraphrased quote from Lawrence Kasdan, one of the producers, during Empire of Dreams. I live my screenwriting life off that quote because it’s so true. It’s very much echoed in the superhero films of modern day – because they’re franchises. Spider-man 2, Superman II, The Dark Knight and no doubt countless more to come. There’s a great quote from Spider-man in which the Green Goblin explains to Peter, “The one thing people love more than a hero is to see a hero fail. Fall. Die trying.” The epitome of drama is in the fall from heaven and this movie makes you realize how hard you can fall. George Lucas is a master architect of story plot, just not always the best person to tell them. The Empire Strikes Back is a sci-fi epic tragedy that connects us closer to the characters that we thought were just “really cool” at one point. But now we hate them, love them, feel for them. Because of this movie, we’re in it with them. We’re ready to embrace our destinies and do what needs to be done in the next go around……

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